shakespears 'Othello'

The concept of 'the darkside' in texts incorporates aspects of humanity that are dark. In the texts that i have studied, Shakespears 'Othello' and Nelson's film, 'O', the concept of 'the darkside' has been demonstrated through many techniques.

In Shakespears drama 'Othello' the darkside can be found in the textual form through imagery & language, the setting and use of stage directions and through props.

In the film 'O' techniqes used to contribute to the concept of the darkside can be found through the use of camera angles & lighting, through language & the tone of the language, & through props & the episodic nature of the film.

In both the opening scenes of Shakespears drama 'Othello', and Tim Blake Nelson's film 'O', the composers have revealed to the responder the character with the lead role in representing the darkside of humanity throughout each text.

In Shakespears 'Othello' this character is Iago and in the more modernised

The evilness demonstarted by this character & the thematic concerns of jealousy, revenge and power are conventions that conform to the concept of the darkside. Therefore the composers of each text allows the responder to obtain understanding of the darkside through the actions of this character.

When Devils will the blackest sins put on,

Some topics in this essay:
Odin Hugo, Blake Nelson's, Othello Lines, Desdemona Emilia, Iago's Character, Othello Shakespears, Blake Nelson, Scene Othello, , Michael Cassio, scene 1, film 'o', scene 3, stage directions, body language, act 1 scene, 1 scene, act 1, act 3, 3 scene, shakespears play, act 3 scene, 1 scene 1, language tone language, 2 scene 3,