WPA: More Than Just a Plan
Franklin Delano Roosevelt came into office in 1933 with the weight of the world on his shoulders, or rather, the cournty's economy. Being President in teh throes of what would later be known as teh Great Depression was an enormous task that would require FDR to find innovative ways to deal wtith the United States' growing problem, and that he did. It was during this time taht his legendary New Deal would come into play. One of the most innovative, yet less remembered programs of this New Deal was the Works Progress Administration (WPA). It was created in 1935 as a government agency with the purpose of curbing unemployment. Although it was often criticized as a waste of the taxpayer's money, the WPA employed over 8.5 million people who would have otherwise been on relief. Despite all its accomplishments, critics often condemned it as a "haven for radicals", most likely because it employed people of all kinds, some which did indeed have readical ideals. However, one thing is certain: the WPA proved to raise worker's morales by providing them with real work instead of a welfare check. Workers were always encouraged to find real employment whenever possible; therefore, the WPA did not directly come in conflict with private ent
The most innovative perhaps of all the WPA's aspects was the cultivation of the arts. Though this was teh subject about which FDR received most of the criticism, he continuously defended it by stating, "even artists too must eat". The most outstanding programs in this cultivation of hte arts were the Federal Music Project (FMP), the Federal Theatre Project (FTP), and the encouragement of unique talents and abilities in small communities. The FMP employed hundreds of musicians in communities around the county. They were hired to perform in the newly constructed community centers or to give public concerts in parks, or just about anywhere. The music of over 14,000 American composers was exposed and absorbed through the FMP. The FTP also contributed free performances to the public. Their weekly audiences usually consisted of 350,000 or more. The actors in this program put on a variety of different plays and shos raning from Pinnocchio to Shakespearean tragedies. However, the most remembered of the plays was the "Living Newspaper," where actors would inform and satirize current happenings. This was a clever way to keep the people informed of events around them while keeping spirits high. Because these programs did not only include professional artists, novice or even mediocre artists could give their talents a chance. This opened the door for people that would have otherwise been left out in the cold. The FAP employed many artists through the occupation of mural painting. Other forms of art that flouirished were copy draft, architecture, and teh preservation of folk art. The FAP supported and encouraged such famous artists as Jackson Pollock, Stuart Davis, and Yasuo Kuniyoshi. The evidence of these programs is still standing today with 2,566 murals decoration public buildings, 17,794 sculptures displayed in community art centers, and the continuation of the flourishing of mural art as a means of self-expression. The art of literature was also greatly influenced and encouraged by the WPA. The Federal Writers Program supported author John Steinbeck to write his novel "The Grapes of Wrath", an eye opening view of the Great Depression. This seemingly unending support proved to cultivate a sort of people's art that this country had not experienced before nor since the time of the WPA. While the art and literature of the WPA was always known for the quantity, it proved to be no less in quality. The programs that spawned from the WPA initiated a sort of cultural "enlightenment" that rejuvenated an almost abandoned art scene. The most unexpected accomplishment of the WPA was teh much increased effort to preserve history. The main focus of these effoets were American culture and African American culture. T
Some topics in this essay:
Administration WPA,
Lincoln Park,
Progress Administration,
African American,
Living Newspaper,
Grapes Wrath,
Jon Doe,
Dust Bowl,
Project FTP,
Yasuo Kuniyoshi,
progress administration,
african american,
hygiene health services,
private enterprises,
unique talents,
hygiene health,
mural painting,
health services,
american culture,
progress administration wpa,
wpa's programs,
community centers,
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Approximate Word count = 1845
Approximate Pages = 7 (250 words per page double spaced)
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