Many plays that focus upon the
Within the Elizabethan comedy, A Midsummer Night’s Dream, Shakespeare masterfully takes two characters of the mortal world, Hippolyta and Theseus, and uses them to illuminate the world of another couple, Titania and Oberon, who occupy the opposite side of the spectrum, a world of disorder, disenchantment, and disillusionment. Besides showing a contrast in the worlds each couple resides in, Hippolyta and Theseus’ existence also highlights many of the mortal qualities that Titania and Oberon possess. Furthermore, as the orderly couples relationship serves as a firm example, the King and Queen of the Fairies relationship undergoes great change, as we see the two enraged by each other in Act II, parting ways for most of the play, and by Act V, blissful, deeply in love with one another, and dancing as if the whole play had been that of a dream. From the very beginning of his comedy Shakespeare creates an imaginary line between order and disorder. By creating a couple who is supposed to represent the orderly and mortal world (Hippolyta and Theseus) he is able to illustrate the disorderly and disillusioned world of Oberon and Titania. We see the line being drawn between Athens and the woods. Whereas Hippolyta and Theseus alwa
On a last note, Theseus and Hippolyta are regarded throughout the play as being a loving couple, never really displeasing one another. They serve to be the ideal couple within the play in which the three other pairs of lovers should attempt to emulate. Nevertheless, their flawless relationship further points out just how dysfunctional and dynamic the love between Oberon and Titania truly is. On this note, besides the point that Theseus and Hippolyta have conflicting views on the time period between four days the two seem to be joining in a happy courtship. On the other hand, Oberon and Titania seem to have a more dynamic relationship. From the beginning of the play they seem to despise one another. They seem very wary of the love each supposedly has for the other. Oberon, more so than Titania, seems to have no conscious when it comes to taking her beloved boy as well. On another note, Titania seems to attempt to show her true love for Oberon more frequently. She begs him to be patient with her. She says, “Perchance till after Theseus’ wedding day. If you will patiently dance in our round and see our moonlight revels, go with us. If not, shun me, and I will spare your haunts” (II.i.141-144). He dismisses her wishes and does what he must to acquire that boy no matter what the consequences will be. Even after Titania comes to, and the spell is reversed, Oberon still seems pitiless. Titania is the one who has to submit her feelings to Oberon to create temporary order within their world and the world they encompass. She never seems to object to him acquiring the boy or even questioning how she had lost possession of him. The two suddenly seem happy together, all is well, and they bless Theseus and Hippolyta in their union after four days of absolute disillusionment within the woods. By the end of the play, Titania successfully shows what a transformation her love with Oberon has undergone. Instead of fighting and causing disorder within the seasons “Hand and hand, with fairy grace, will we [Titania and Oberon] sing, and bless this place” (V.i.394-395). So as you can see as Hippolyta and Theseus’ relationship has remained the same,
Some topics in this essay:
Oberon Titania,
Act II,
Titania Oberon,
Theseus Hippolyta,
Hippolyta Theseus’,
Ii20 Oberon,
Theseus” IIi75,
Puck Oberon,
Hippolyta Theseus,
Theseus Hippolyta’s,
titania oberon,
hippolyta theseus,
oberon titania,
hippolyta theseus’,
mortal world,
world hippolyta,
world hippolyta theseus,
theseus hippolyta,
love oberon,
titania oberon occupy,
queen fairies,
immortal qualities,
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characters hippolyta theseus,
king queen fairies,
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Approximate Word count = 1465
Approximate Pages = 6 (250 words per page double spaced)
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