Claude Lorrain’s contributions

Claude Lorrain’s contributions to an ideal landscape?

Claude, was born Claude Gellée who was also known by his fictitious name Le Lorraine or as Claude Lorrain, in the duchy of Lorraine (from which he derived his name) in 1604 (1). He was a French artist in the seventeenth century, who spent most of his working life in Italy. He was one of the greatest masters of classical landscape paintings. It is noted that, he was the first painter to acquire a huge reputation as a landscape artist and his popularity has remained undimmed ever since. His principal teacher, an Italian painter called Agostino Tassi, taught him the basics of perspective, landscape and seascape art (2). By 1633 Claude had found his definitive landscape style and joined Rome’s Accademia di San Luca. He influenced landscape painting and garden design, though his paintings and drawings, over one thousand three hundred of them.

Claude was distinguished from other artists in this period, and the reasons for that were his contributions to an ideal landscape. He achieved such an acclaim because he was very skilful with the manner in which he dealt with the light. He could superbly show brilli

In around 1635 forgeries of Claude’s work began to appear, so he began recording the pictures he sold in his ‘Liber veritatis’ (Book of truth; British Museum, London), which contains sepia drawings and etchings of almost all his paintings, creating a record of his most beautiful draftmanship (8). Claude did not construct these sketches as finished items. He always thought ahead, their usage would become part of the finished composition. Claude not only drew the distant scenes in his works from nature, but he painted them too. In this book, he made skilful drawings of the compositions and noted their buyer on the back of each one. He documented some two hundred pictures over almost fifty years.

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