Gender Ideology
Gender ideology is a much debated and pressed subject in the area of literature. Though not blatantly expressed in literary criticisms, explications, and descriptions as issues of religion and class, gender ideology can easily be identified through textual evidence. While many authors openly express the social climate dealing with class and religion, the role of man and woman is seemingly known or acts as a given factor to those who read the texts. Globally, the role of gender plays out as such: The male figure acts as the sole provider, while also conducting himself as head of the household, making major decisions that are only allotted to the paternal figure. The female counterpart, on the other hand, plays the demanding role of caretaker, provider, and maintainer of the household, yet she is forced to dwell within the confines that are deemed acceptable by social and religious standards. In short, the male represents the external power of the family, while the female claims the role of the moving internal, subservient. The universal role of man and woman usually remains constant; however, as time progressed and changed, so did gender ideology among genres of literature. Specifically in American Lite
rature, gender ideology slowly evolved. Beginning in the Colonial Period, the facets of the Puritan religion permeated gender ideology heavily; men played the role of the provider, while women stayed in their place - at home. Slowly, as the Colonial Period diminished, women began to have a voice as characters and as authors. Though not very popular in American Literature, the struggles, hardships, and concerns of women began to show up. Nathaniel Hawthorne, a renowned Romantic author, generally used male characters to execute his ideas about "human nature, about sin and guilt, and about the perils of the intellect and the pleasures of the heart" (Hawthorne 682). However, unlike many authors, Hawthorne shows the man in a negative light. In Hawthorne's Roger Malvin's Burial, like most of his works (i.e., The Scarlet Letter, Young Goodman Brown, and The Birth Mark), the secret sins of man are brought out by the use of a female character, who in contrast, is an innocent factor. In large, Hawthorne's works appealed to women "partly because he knew about and respected the complexity of women's lives" (Ponder & Idol 4). The female characters of his work represented the women in his life. According to Ponder and Idol, Hawthorne "knew firsthand about the cruel impoverishment of single women like his widowed mother and unmarried aunts and, later, his own sisters" (Ponder & Idol 4). Citing the s
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Mark Hawthorne,
Roger Malvin,
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Dorcas Malvin's,
Goodman Brown,
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Approximate Word count = 946
Approximate Pages = 4 (250 words per page double spaced)
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