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Zombie Films

Horror films have always been a popular midnight movie. Whether it is to get your seven bucks worth of screams at the local theater or a deceptive way to get closer to a girl/guy, horror films have been one America’s favorite pastimes. Among one of the subgenre of horror films is zombies. The notion of the living dead has fascinated the human mind for centuries. The portrayal of zombies on the big screens has many times twisted this fascination and curiosity through a negative perspective, hence man’s damnation, which according to Charles Derry as the horror of Armageddon. Although zombies fundamentally have the intuition to destroy mankind they are generally advocates to man’s own malevolence creations or driven by a supernatural force. This essence of evil can also fall under Charles Derry’s subgenre, the horror of demonic. Despite both subgenres, it is an epic battle between mankind vs. the undead. Over the history of cinematography zombie films has been able revolutionize through more modernize explanations, creativity, shifting trends, and additional gore to further connect with its audience.

Nowadays, zombie films are made with more sensible concepts and explanations for t


he rising of the undead compared to the classic rationalization of supernatural forces. Modern films such as Return of the Living Dead 3 (1993) by Brian Yuzna and 28 Days Later (2003) by Danny Boyle illustrate artificial chemically made lab monsters gone chaotic. Mainly the inception of these human chemical experiments were to enhance human life or to do the complete opposite and create better biological weapons of mass destruction, but eventually only backfire its creators. Resident Evil (2002) by director Paul Anderson is another modern day example of a lab research gone wrong. Alice (played by Milla Jovovich) in Resident Evil, awakes only to finds herself alone in an open city as she recalls no mental past. As she wonders aimlessly she finds fellow non-infected companions that would aid her in finding answers to her questions. What happen? Why does world look like an apocalyptic hell? And most importantly, why are there creatures of the undead yearning for their flesh? After reading lots of movie reviews and having the privilege to watch the first six minutes of the movie 28 Days Later, the zombie flick (played by Cillian Murphy) has nearly the same storyline as Resident Evil. Instead of experiments on biological weapons, 28 Days Later originates its evil from lab monkeys let loose by animal activists disregarding the numerous warnings that they were infected with rage. Unlike the present day scientific explanations, movies from the late sixties till the early eighties took a more carefree approach. During this time period, directors [such as George Romero & Amando de Ossorio] focused their movies more on the storyline and gore rather then laying lots of emphasis on elucidating how the undead came to be. Characters in such films as Night of the Living Dead (1968) and Dawn of the Dead (1978), by director George Romero, could seem to careless about finding answers, but rather more co

Some topics in this essay:
Living Dead, Resident Evil, Zombies Horror, Ken Foree, Charles Derry’s, Andrew Parkinson, Duane Jones, Evil Instead, Danny Boyle, George Romero, living dead, night living dead, night living, zombie films, director george, resident evil, george romero, horror films, 28 days, zombie flick, director george romero, cinematography zombie, living dead 1968,

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Approximate Word count = 1287
Approximate Pages = 5 (250 words per page double spaced)


  

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