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what is art

What is Art? Who determines what Art is? Who has the authority to attribute a particular interpretation to a work of Art? Why do we reject certain works as not being Art and accept others? Mary Anne Staniszewski, the author of Believing Is Seeing, says that “[t]o question Art and to see it as something that has a specific history and belongs to a particular era can tell us so much about our culture and ourselves.” Consequently, she wrote this book in order to determine “how things come to have meaning and value” (1). As a result of changing values and the way in which institutions affect how values and meanings are arrived at, contemporary art is viewed today very differently from the visual work of the past.

Stanizewski defines Art as an invention of the modern era. She says, “Art, as we know it is a relatively recent phenomenon and is something made to be seen in galleries, preserved in museums, purchased by collectors, and reproduced within the mass media. When an artist creates a work of Art it has no intrinsic use or value; but when this artwork circulates within the systems of Art (galleries, art histories, art publications, museums, and so on) it acquires a depth of meaning, a breadth of importance, and


In the twentieth century, there has been a much wider acceptance of what constitutes a work of Art. In the past, there were specific ideals and standards of beauty, but with the new definition of Art according to modern values, there have been a number of different artistic styles that developed throughout the last century. Futurism, Expressionism, Dadaism, Surrealism, the De Stijl movement, the Bauhaus, Abstract Expressionism, and Pop Art, among others characterized the diverse works of Art that define contemporary art. The Futurists focused on the benefits of modern technology. The Dadaists wanted to overcome traditional fine art, and to give it meaning. Surrealists were concerned with the desires of modern life. Under the de Stijl and Bauhaus movements, the modern world was recreated (227-236). With all these different styles, it is easy to see how we, as ‘free’ subjects determine how we see value in artistic production. There were advocates of each of these styles of Art, in addition to people who dismissed the work as uninspired. Differing opinions about the aesthetic beauty of a work have proven time and again that contemporary art has a much wider scope than the visual work of the past.

Staniszewski, Mary Anne. Believing Is Seeing: Creating the Culture of Art. New York: Penguin

an increase in value that is greater proportionately than perhaps anything else in the modern world” (28). In other words, it is not unt

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