Lichenstine looked at a different element of popular culture / youth culture- comic books. He used this style of painting and drawing to create a comic strip image. For example "Wham", although looks screen-printed

it was infact panted by hand dot by dot.

Hockney was influenced by graffiti a part overlooked by his contemporaries, he used it in the form of messages scrawled across the background of his paintings . Hockney said that he did this in order to make it clear to the viewer what the picture was about.

Derek Boshier painted a series of pieces based on ideas he got from a toothpaste commercial. "identi-kit man" was his way of suggesting how easy it was for companies to manipulat

he multiplied car accident pictures many times.

Looking back, the rubber stamp method he was using to repeat images over and over a Warhol trademark suddenly seemed to home-grown he wanted something stronger that gave more of an assembly line effect. The silk-screening method was done by taking a photo and transferring it in glue to silk, and then rolling ink across the silk so that the ink penatrated only certain spots in the silk. This way, Warhol could accomplish the same image, slightly different each time. The pictures were slightly faded and fuzzy, which resembled the way the media dulls down a story each and every time it is told. Tiny but important details are lost Bondo, 1998 Film and magazines were two other mediums used by Warhol. His films were considered underground and low budget, with sexual themes. They were produced for only a small period in his career, and were many times initiated by friends and lovers. His magazine, however, would live on even after Warhol's death. Interview was the name of the magazine!

that he co-produced with John Wilcock, then editor of an underground newspaper called Other Scenes. The magazine featured text and edited interviews from cassette tapes.

The blot technique is as follows: a completed drawing is taped and hinged to a piece of paper. The original would be inked and then blotted onto the paper. One may wonder, why blotted drawings instead of using the originals? Andy stated, I like the style.Well, it was just that I didn't like the way I drew. I guess, we had to do an inkblot or something like that at college, and, then, I realized you can do an inkblot and do that kind of look, and, then, it would look printed somehow. Bondo, 1998 . This printed look is what made Warhol famous, adding to his admass culture themes. For a brief period, Warhol also used rubber stamps and stencils to achieve the machine made, printed look. It was in the early 60's that Warhol began to use the silk-screen method.

Colour was key to much of Warhol's work. In fact, it was so important, that many times Warhol would produce a work without colour first. Then, he would observe the work and think for days what the colour should be used. Many times, colour was applied by airbrush later to achieve an overlay effect. For the most part, his colour schemes were bright. He also used a dot-matrix method that spread colour out by means of a tiny dot pattern. This was achieved through the silk-screening process, and added to the mass produced look Bondo, 1998 . He used appropriated and serially repeated images to achieve his machined look.

Some topics in this essay:
Medium Warhol's, Style Organization, Times Magazine, Pop Art, Boxes Bourdon, Fish Disasters, Marilyn Manroe, Hockney Due, Andy TV, John Wilcock, pop art, popular culture, bourdon 1989, bondo 1998, admass culture, pop art art, sexual themes, period warhol, warhol obsessed, art pop art, warhol image, art art style, mass production, pop art pop, times magazine 1996,