Blade Runner
Director Ridley Scott has a chilling story to tell, and there is a complex web of allegory and meaning lurking in the background. We are unmistakably in a future time, yet this future world is one we can easily recognize, as it is not so different from our own. As with all good science fiction, futuristic concepts provide the basis for the story, but do not dominate the more universal themes expressed by the film. This is not to say that the special effects of Blade Runner are anything less than stunning, but they serve to flesh out the story, as well as to give us a vision of the future in which this story can take place. This is not the cardboard cutout future of Forbidden Planet, but a world we can almost touch and absolutely believe in. Onto this stage are placed a group of characters who perfectly compliment their environment. The enigmatic characters’ actions are seldom clear cut or simple to understand, and are even less certain of the motivations which move these characters. Our protagonist, Deckard, played by Harrison Ford, is not exactly a knight in shining armor. Because of this, it seems that to understand this film we must look past the actions of the characters and focus instead upon
and damnation in Hell?) I have some problems with the theory of Batty-as-Savior, though. For one thing, Batty is a man of violence, while Sebastian is one of peace. For another, Batty gouged out Tyrell's eyes, which makes no sense at all if he is a symbol for Christ and Tyrell is a symbol for God. As a way of understanding these actions, I find it is more reasonable to consider Batty to be a symbol of mankind. By this, I mean that he was created by Tyrell's genius (as man was by God) and was separated from his maker when he was sent off world (expelled from the Garden). Eventually he begins to seek out the one who had made him (as nearly all men quest for God at some point in their lives), and he does "questionable things" in his search for the creator (as many men throughout time have committed heinous crimes in the name of God). Through the help of Sebastian (in this example an obvious Christ symbol) he is able to finally come into the presence of his maker, who welcomes him The great strength of Blade Runner was that it successfully dealt with the tenuous nature of human life, and examined what really makes a person human, without being preachy or obvious. The film was meticulously crafted, and created a world which was decadent, dirty and yet strangely beautiful. The same can be said of its inhabitants, and maybe of all of us. Humanity itself is brought up for definition in this film, as the Replicants are in many ways more human than the "real humans" they are interacting with. These Replicants are artificial organic humanoids, which function as brute laborers and sex toys on Earth's space colonies. They have five-year life spans, and are banned from Earth. Rutger Hauer is the leader of the Replicant band which has come to Earth anyway, in search of the secret to extending their life spans. He in many ways is the most developed character in the entire film, as we see him laugh and cry, kill and philosophize. There are no truly one-dimensional characters in this film but there is
Some topics in this essay:
Blade Runner,
Testament God,
Harrison Ford,
Garden Eventually,
Sebastian Batty,
JF Sebastian,
Ridley Scott,
Rutger Hauer,
Forbidden Planet,
Batty Christ,
blade runner,
life spans,
replicants human,
presence tyrell,
symbol christ,
incept dates,
attempted bring,
jf sebastian,
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Approximate Word count = 1349
Approximate Pages = 5 (250 words per page double spaced)
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