Blue Color
Since the beginning of the universe, mankind has experienced more or less the power of colors, their relation to nature, their attribute and significance. Not only do colors characterize a society; they more importantly are at the essence of every thing. Color is a perception (from our eyes) that result from the complex characteristic of the light. Color is a significant element of our society but appears a complex notion to define because it is complicated to distinguish an object from its color and vice versa. The reason for which must be our poor knowledge in color terminology. Indeed, most of the early civilizations could not discern the lexical differences between an object and the color it was representing (This lexical issue drove some historians to wonder if certain civilizations were blind to specific colors). At the arising of the third millennium, both the perception and the definition of color seem an arduous task. Yet blue, as one of the primary color, illustrates from its history and its art representation how one color could be both so complex and meaningful. Blue is the color of fear for the painter Jacques Monory, the color of the coat of The Virgin Maria, the Levi-Strauss jean, the satellite images of earth. It
ibutes greatly to the popularity of blue. Blue jeans are made of a material called Denims, which is the reduction of de Nimes (from Nimes, which is a town in France). Mister Levi Stauss came in France and found this very resistant material (it was used for boating) and decided to make pans out of it. Indeed, France contributed a lot during the beginning of the twentieth century to the exportation of blue. Although blue conveys a specific message in France, it does not convey the same message across countries and cultures. For instance, in the desert blue is often related to the Tuareg; the Tuareg are people in the desert whose skin became blue. Because they were rapped in Indigo clothes, their skin became blue with the contact of the blue tissue. Blue, in France is also the porcelain of Sevres (small town outside Paris). The porcelain of Sevres was a manufacture in the eighteenth century. Its blue evoked the night from which emerges an infinitesimal quantity of red at the natural light. It is a subtle color resulting from divers stages of cooking and painting known as “bleu de Sevres”. Blue is also the source of the jazz-music the blues. It evokes the resentment and the spleen. The blue note is a difficult note to reach, which is supposed to be the result of a music recurrence at non-equidistant interval. Blue is the color Yves Klein appropriated; he devoted his work to the ”color of the air” as he defined it. In fact, Blue became the favorite color of European populations for their clothing but also as an abstract color. To the questions what is your favorite color? The more frequent answers are Blue, 80 per cent of the American states that blue is their favorite color and as Carlton Wagner pointed it out, this preference starts around six years old and do not change with time. Blue conveys new message in France during the twentieth century. Joan Miro has written, “blue is the color of my dreams” on one of his painting. Blue became a popular color; it became the color of the workers. The expression “bleu de travail” (blue of work) is still factual and symbolizes the clothing worker used to wear. Blue was also the color of uniform to declassify; one will find school with uniform that is dress all with blue. Blue was believed to soften the differences social classes in between the pupils. Similarly blue is the color army used for the navy. The Blue Jeans contr! The rising of blue during the twelfth and the thirteenth century does express itself not only with art and image but also with its symbolic representation. The whole social life was affected by these changes and surprisingly enough its rise could even be calculated thanks to the heraldic armories, which emerged in Europe at the time. For instance, M. Pastoureau in his Heraldic Treaty says that only 5 per cent of the armories contained blue in 1200 but this number grew to 25 per cent before1300 and 30 before 1400.This impressive rise mirrors how fast blue became trendy and the synonym of values. French armories adopted the blue very early. The sight of an armory was supposed to convey value such as respect, faith, freedom or even royalty given the fact that the French king had a blue armory (It was a gold Lily flower on blue background). From the thirteenth ce
Some topics in this essay:
Heraldic Treaty,
Black White,
,
Lapis Lazuli,
Berlin Kay,
Middle Age,
Yves Klein,
Maria Levi-Strauss,
Greek Romans,
Joan Miro,
color blue,
blue color,
favorite color,
blue blue,
blue favorite color,
twentieth century,
blue favorite,
thirteenth century,
fifteenth century,
vice versa,
social classes,
favorite color european,
blue association colors,
“a history colors”,
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Approximate Word count = 2226
Approximate Pages = 9 (250 words per page double spaced)
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