How Merusault Changes In The Stranger By Camus.
Meursault appears to be a typical, middle-class young man. He works as a clerk, rents an apartment, and enjoys women, the sea, the sun, and smoking. He appears normal - almost boring. His neighbors seem to trust him and approach him for help and advice. However, he lacks any emotion or passion towards anything in his life. Meursault lives life through the sensations of the here and now, describing these in much detail: the sun, sea, and sky; the feel of a crisp towel; the taste of good food, good wine and cigarettes; the feel of cool water on his skin; and making love to pretty girls like Marie. Yet he is incapable of looking beyond the feeling of the moment. He sees one thing just like any other: an experience, an objective fact, and all leading to the same conclusion. To his experiences, he adds no differential value or meaning. This unattached lifestyle is evident in his reactions to his mother's death and his relationship with Marie.
"Maman died today. Or yesterday maybe, I don't know"(1). This, the opening line of The Stranger, foreshadows Meursault's attitude toward everything else in the first half of the book. Instead of being mournful and depressed about the death of his mother, Meursault drinks coffee, smokes, and naps in a relaxed manner during the wake at the seniors" home. Her death had not affected his life, except for momentarily disrupting his everyday routine and causing him physical discomfort. His socially unacceptable indifference to his mother's death was a major factor in his conviction in the second half of the book.
Meursault's absurdity is also evident in his relationship with his mistress, Marie. The day after his mother's funeral, Meursault runs into Marie at the beach, and they end up spending the afternoon swimming together and watching a comedy film, and have sex later that night. However, Meursault always concentrates on the physical aspects of their time together, such as Marie's hair, laughter, heart beat, and skin; he never seems to feel any of the emotional depth expected in a romance.
A Stranger to Morality Meursault, the novel's hero, a "stranger" to the system of Christian morality insofar as he cannot comprehend it, is certainly not an "outsider", neither consciously choosing to remain "outside" society nor being rejected by it. ... In the final paragraph of The Stranger, Camus does not "sum up" his hero's fate, but leads him into a breathtaking vision of new life in the face of death. ...
The Stranger For Camus, freedom arises in awareness of one's life, the every-moment life, an intense glorious life that needs no redeeming, no regrets, no tears. ... In a sense, The Stranger is a parable of Camus" philosophy, with emphasis on that which is required for freedom. Meursault, hero of The Stranger, is not a person one would be apt to meet in reality in this respect; Meursault does not achieve the awakening of consciousness, so essential to freedom and to living Camus" philosophy until the very end of the book, yet he has lived his entire life in according with the morality o...
The Tall Stranger The Tall Stranger was written by Louis L"Amour. The Tall Stranger was written in 1957. ... The Tall Stranger is a story about a stubborn man named Rock Bannon who saved eastern breed settlers from Indian attacks and Mort Harper, a fast talking crook. ... The Tall Stranger was a very enjoyable book. ...
The Stranger The novel, "The Stranger", written by Albert Camus is about one man's life. The main character and the author, Meursalt, gives every detail and thought throughout the novel. He portrays himself as a person who doesn't seem to care about much, yet he is a hero. Meursalt shows his her...
The stranger faces the group on a regular basis without becoming integrated within it. He further describes the stranger as an integral part of the economic sphere. ... This mobility and lack of formalized ties to the group allow the stranger to be objective. ... He is not perceived as an individual, but a "stranger of a certain type." ... Simmel struggled with a precise definition of the stranger because at best it is the combination of the stranger's remoteness and nearness with respect to the group he approaches. ...
Despite the somewhat absurd nature of The Metamorphosis, and the realistic nature of The Stranger, similar values are communicated to the reader. ... Meursault (the narrator) in The Stranger only sees and only wants to see the absolute truth in society. ... This is the main turning point as far as existentialism is concerned in The Stranger. ... The Stranger's Meursault is existentialist, finding a need for a meaning to life only when his is about to be taken. ... The Stranger, on the other hand, follows an idea that quietly not conforming will only hurt oneself. ...
In The Stranger, by Albert Camus, Meursault undergoes a mental transformation from Part 1 to Part 2. ... Throughout The Stranger, Meursault transforms and begins to develop meaningful memories about the meaning of his life. ... Meursault is much more interested in trivial details about strangers. ... In The Stranger, by Albert Camus, Meursault undergoes a mental transformation from Part 1 to Part 2. ...
In Albert Camus" The Stranger, his actions and reactions display him as an immoral man, expressing apathy towards society's formulas for convention. ... Confronted with the court's legal mechanics, Meursault is a stranger to the judicial world, thus disabling him. Meursault is also a stranger to social custom. ...
In the book Integrity by Stephen L. Carter, Carter defines Integrity as requiring three steps: 1) discerning what is right and wrong; 2) acting on what you have discerned, even at personal cost; 3) saying openly that you are acting on your understanding of right and wrong. I think that according to...
In his song "The Stranger", Billy Joel uses his lyrical genius to make a universal connection with his "stranger", and by doing this makes a connection with Mersault from Camus" The Stranger. ... [16-18].) is often rejection ("It was then I felt the stranger kick me right between the eyes" [34-35].) ... A similar parallel can be made to Mersault from The Stranger. ... The Arab is the first person in the novel to reveal the "stranger" within themselves to Mersault. This leads to Mersault exposing his "stranger" by murdering the Arab. ...
