Karel Kryl And His Musicianship
In February 1948 the Communists provoked a political crisis and took over the government in Prague. Under the leadership of Slovak Gustav Husak, the Communists patterned Czechoslovakia’s economy and government on those of the Soviet Union. The state took control of the country’s factories and many businesses; private property was nationalized; and farmers were forced to join collective farms in which all land and equipment were jointly owned. The government prohibited opposition to the Communist Party and the Communist Party became the only effective party in Czechoslovakia. In the 1960s party leaders and intellectuals in Slovakia and the Czech lands created a movement to reform the Communist system. The USSR feared that the reforms would threaten its influence in Czechoslovakia, and on August 21 of 1968, the Soviet military, assisted by troops from other Communist countries of Eastern Europe invaded Czechoslovakia.During the 1970s and 1980s, political opposition brought forth a powerful dissident movement called Charter 77. Nevertheless, highly oppressed opposition had only limited means of fighting the alien system. “Because music has considerable power to mobilize the sentiment and act
on in the communist society. Basically, lyrics based on metaphors and hidden meaning dictate the rhythm, melody, timbre of guitar background as well as singer’s voice. ul. The audience is saved from any distraction and can concentrate on pure timbre of guitar tones and singers voice. Kryl’s intention to spread the anti-system and anti-communist ideas among simple people definitely influenced his choice of music form and presentation. The fact that an easy to reproduce songs were more effective in reaching the masses and accomplishing his revolutionary goals, Karel Kryl used a simple instrument – an acoustic guitar. Kryl wisely blended challenging lyrics full of inner messages and simple background guitar tones. Due to a need for an easy reproduction of his revolutionary musical pieces, Kryl’s melody and guitar tones are concomitant elements of the musical form. Clearly, the main function of the songs was to educate people about the stupidity of the communist regime. Throughout his creation, Kryl uses acoustic the guitar as a background companion to a singer voice. In order to enrich his performance, he also uses the whistling, utterance, hand clapping and feet banging. ion of masses of people, it became an important political tool” (Kaemmer, 1992). Karel Kryl was the first to join the movement and became an important part of the opposition movement. In his creations, Kryl narrates the hell and absurdity of the communist system, social conflicts, and human ignorance; describes the nature of ideology and its impact on human lives. He was able to transfer his skepticism, grief, antipathy, and determination into over hundred and sixty songs. This composer became a revolutionist songwriter and was admired and respected among those who resisted the dictatorship regime of “the Communist system”. This paper will demonstrate the power of Karel Kryl’s musicianship, as well as discuss in depth the musical features that characterize his masterpiece. The pitch of the singer and guitar’s tones move down and up on the simple scale. The change o
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Approximate Word count = 1394
Approximate Pages = 6 (250 words per page double spaced)
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