The complex age of elaborate laptops, portable color televisions in every room, and pocket radios the size of a basic calculator have all taken their toll on American society. In a furious outburst reflecting the contemporary society in which we live, television has come to represent all that is evil and wicked for our children. Through gruesome, explicit, and often unrealistic portrayals of death and violence, the impressionable clay of our children's minds are being molded into vicious statues incapable of comprehending the gap between what is real and what is injurious.
What you see is what you get has taken on an all too terrifying reality. It's not just an escapist ideal, denial, or unavailable evidence that define why people equate violence on TV with the violence in their lives and in other Americans lives. It's a founded and plau
Perhaps the news contributes more than just an insightful knowledge of events. Perhaps Columbine copycats and school bomb threats may never have arisen if the entire world hadn't witnessed the blood-soaked terrors via cable television. Cartoon superhero contributors of this belligerent behavior include the seemingly unlikely Superman and Batman. Differentiating between fantasy and reality remains especially perplexing for children under the age of 8. Like sponges, they absorb but don't distinguish. Could it be that media violence has evolved into an intricate art where the more money and computer graphics spent on the mind-blowing action exhibitions makes all the difference in profit? Could it be that the artificial death spectacles and mass slaughter of insignificant characters desensitizes us to the finality and reality of what death is actually li
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