The falcon cannot hear the falconer;

Things fall apart; the center cannot hold;

Mere anarchy is loosed upon the world.Achebe uses this opening stanza of William Butler Yeats's poem "The Second Coming," from which the title of the novel is taken, as an epigraph to the novel. In invoking these lines, Achebe hints as the chaos that arises when a system collapses. That "the center cannot hold" is an ironic reference to both the imminent collapse of the African tribal system, threatened by the rise of imperialist bureaucracies, and the imminent disintegration of the British Empire. Achebe, writing in 1959, had the benefit of retrospection in depicting Nigerian society and British colonialism in the 1890s.

Yet Achebe's allusion is not simply political, nor is it ironic on only one level. Yeats's poem is about the Second Coming, a return and revelation of sorts. In Things Fall Apart, this revelation refers to the advent of the Christian missionaries (and the alleged revelation of their teachings), further satirizing their supposed benevolence in converting the Igbo. For an agricultural society accustomed to a series of cycles, including that of the locusts, the notion of return would be quite

The hyperbolic and even contradictory nature of the passage's language suggests the inability of humankind to thwart this collapse. "Mere anarchy" is an oxymoron in a sense, since the definition of anarchy implies an undeniably potent level of radicalism. The abstraction in the language makes the poem's ideas universal: by referring to "[t]hings" falling apart as opposed to specifying what those collapsing or disintegrating things are, Yeats (and Achebe) leaves his words open to a greater range of interpretations. It is worth noting, in addition, that Achebe cuts away from the poem just as it picks up its momentum and begins to speak of "innocence drowned" and "blood-dimmed" tides. It is a measure of Achebe's subtlety that he prefers a prologue that is understated and suggestive, rather than polemical, ranting, and violent.And at last the locusts did descend. They settled on every tree and on every blade of grass; they settled on the roofs and covered the bare ground. Mighty tree branches broke away under them, and the whole country became the brown-earth color of the vast, hungry swarm.This passage from Chapter Seven represents, in highly allegorical terms, the arrival of the colonizers. The locusts have been coming for years, but their symbolic significance in this passage lies in the inevitable arrival of the colonizers, which will alter the landscape and psychology of the Igbo people irreparably. The repetition of the phrase "They settled," an example of the rhetorical device anaphora (in which a clause begins with the same word or words with which the previous clause begins), in addition to the repetition of the word "every," reflects the suddenly ubiquitous presence of the locusts. The choice of the verb "settle," of course, clearly refers to the colonizers. The branches that break under the weight of the locusts are symbols of the t

Some topics in this essay:
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