The figures in Three Women at the Spring are gigantic, massive, fleshy, and bulky. They look more like sculpture than painting. It is an example of Picasso's Neoclassicism. The figures of the women bring to mind the huge statues of ancient Greece and Rome, although they do not have the ideal features or proportions of Classical art. These women appear to be made out of terra cotta, and their clothing seems to be made out of marble.

The center of the painting is dominated by the hands of the women. The central figure is in the ba

Three Women at the Spring contains a truth about everyday life. We must have water to live. At least in 1921, when Picasso painted these figures, we sent women to fetch water. Women, therefore, are the source of life. The women in the painting do not look like symbols. They do not look lifelike, either. They are not airy fantasies of beautiful goddesses, but they are not flesh and blood, either. They are made out of rocks and clay--they are made out of the earth itself. These three women are like the earth itself, the mother of all humanity. Earth and water are the basic ingredients of all life. Farmers know this truth, and people who live in cities and look at works of art in museums need to know it, too. This painting, therefore, contains a truth about life.

The theme of this painting is taken from antiquity, and Picasso was influenced by "certain monumental paintings the artist saw on a visit to Pompeii in 1917." Subjects of

Picasso is noted for his independence, and he valued his solitude. He liked to think for himself, and he did not follow rules when he worked. He did not have a routine. Each work, for him, had its own problems and its own solutions to those problems. Picasso once said, "I treat paintings as I treat objects. If a window in a picture looks wrong, I close it and draw the curtains, just as I would do in my own room." Picasso captured life through his eyes, and he gave us art through his hands. He tried to make everything genu

Some topics in this essay:
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