N orman Rockwell

In the sixties, Rockwell's focus broadened to include many more minority and foreign Scouts. His calendar paintings for the world jamboree years of 1963 and 1967 both depicted Scouts of various nations joyously united.

"The common places of America are to me the richest subjects in art," he once said. "Boys batting flies on vacant lots; girls playing jacks on front steps; old men plodding home at twilight; all these arouse feelings in me."

In his more than 2,000 artworks Norman Rockwell created a pictorial history of his times and illuminated the lives of his fellow Americans with gifted warmth and insight.

He had the unique capacity to communicate with people of all ages, and his work has been reproduced more often than Michelangelo, Picasso and Rembrandt put together.

Marshall Stoltz, curator of The Norman R

Rockwell's first commission was a set of four Christmas cards when he was sixteen years old. He illustrated his first book, Tell Me Why Stories, the next year, and was art director for the magazine Boys' Life by the time he was nineteen. Many of his early works involved boy scouts.

Rockwell's popular Triple Self Portrait, appeared on the cover of the Saturday Evening Post in 1960. This illustration is a good example of Rockwell's playful nature. Self-portraits of Durer, Rembrandt, Van Gogh, and Picasso are all represented on the right side of the easel in the picture, while his own sketches are at the leftThe public could not get enough of the everyday style situations Norman Rockwell prints so perfectly illustrated. Some of these subjects include childhood and old age, family life, first loves, departures, and returns home.

Rockwell gained national prominence as an illustrator for the Saturday Evening Post, Life, Look, Boy's Life, Boy Scout calendars, and major advertisers, all of which brought him close to the hearts of people the world over," Stoltz said.

Mythical, idealistic, innocent, his paintings evoke nostalgia for a time and place that existed only in the rarefied realm of his rich imagination. According to filmmaker Steven Spielberg, "Rockwell painted the American dream - better than anyone."

In the 1964 painting, The Problem We All Live With, Rockwell successfully addressed some of the complex social and political issues of his time.

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