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Tempest

In Shakespeare’s play, "The Tempest," an underlying theme of barbarism versus civilization appears. Shakespeare creates characters that exemplify symbols of nature or nurture. The symbolism of the characters is derived from their actions. These actions show Shakespeare’s view of the uncivilized and the civilized, as well as help the reader develop his own opinion of each side. In this whimsical play, Prospero, the former Duke of Milan, after being supplanted of his dukedom by his brother, arrives on an island. He frees a spirit named Ariel from a spell and in turn makes the spirit his slave. He also enslaves a native monster named Caliban. These two slaves, Caliban and Ariel, symbolize the theme of nature versus nurture. Caliban is regarded as the representation of the wild; the side that is usually looked down upon. Although from his repulsive behavior, Caliban can be viewed as a detestable beast of nature, it can be reasonably inferred that Shakespeare’s intent was to make Caliban a sympathetic character. During the first encounter, Caliban comes across very bestial and immoral. While approaching Caliban’s cave, Prospero derogatorily says, "…[he] never/Yields us kind answer," meaning Caliban never answers respectfully.


he feels. He does not know the difference between right and wrong. The reader tends to feel sympathetic towards Caliban because he is punished and oppressed for conduct he could not control. Prospero says, "A devil, a born devil, on whose nature/Nurture can never stick…" which explains why even though Prospero taught Caliban the ways of civilized life, he still acted upon his natural instincts. Caliban still displays his natural behavior by being blunt and so-called detestable as a slave. Though, once the reader understands Shakespeare’s intent, it can be inferred that Caliban is merely a sympathetic character who has lost his soul. He is helpless among the lives of the civilized, because civilized life is one he will never undertake. Caliban is a man of nature, but he should not be considered less honorable than someone from civilization. Shakespeare portrays Caliban as a very ugly and crude looking beast, which is how people of nature are pictured by citizens of society. Caliban’s appearance exemplifies the degenerate animal nature within him. However, Caliban has, what no man of society has, purity and innocence. Caliban acts not to please others but to make himself happy. He has an intuitive understanding of the natural world that brings out a sensitivity higher than that of the civilized. Shakespeare gives Caliban some of the finest poetry in the play, "…Sounds and sweet airs, that give delight and hurt not./Sometimes a thousand twangling instruments…" showing that nature can be as eloquent as society. Caliban might be portrayed as evil, but he is not as callous as Antonio, Prospero’s brother. Antonio is from the civilized world, yet he produces corruption and deformity far worse than that of Caliban’s nature. In essence, Caliban behaves detestable in the eyes of a civilized society. Nevertheless, his acts are justified by his background and the environment in which he grew up. Caliban is created around the idea of nature and Shakespeare wante!

Certain parallels can be drawn between William Shakespeare's plays, "A Midsummer Night's Dream", and "Romeo and Juliet". These parallels concern themes and prototypical Shakespearian character types. Both plays have a distinct pair of 'lovers', Hermia and Lysander, and Romeo and Juliet, respectively. Both plays could have also easily been tragedy or comedy with a few simple changes. A tragic play is a play in which one or more characters have a moral flaw that lead to his/her downfall. A comedic play has at least one humorous character, and a successful or happy ending. Comparing these two plays is useful to find how Shakespeare uses similar character types in a variety of plays, and the versatility of the themes which he u

Some topics in this essay:
Shakespeare Caliban, Romeo Juliet, Prospero’s Antonio, Juliet Juliet, Tybalt Capulet, Lysander Hermia, Caliban Ariel, Nevertheless Prospero, Night's Dream, , romeo juliet, midsummer night's dream, night's dream, midsummer night's, lysander hermia, character types, juliet comedy, civilized life, shakespeare’s intent, sympathetic character, shakespeare caliban, romeo juliet comedy,

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Approximate Word count = 1822
Approximate Pages = 7 (250 words per page double spaced)


  

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