In the credits we see photos of all the characters in the film with the actors names next to them. This is used as a device to familiarise and introduce the key players to the audience and fix their images in our mind. We are shown a quote from T.S Elliot that gives away little information of what is to come.

The beginning if this film gives the viewer a lot of information, we have been introduced to the characters, and the soundtrack is modern and electronic with a driving breakbeat. It gives the audience an idea of the style and tone. The music adds pace to the film and is a driving force as we see Lola running through the streets of a German city.

The camera spirals down and we are then led through a blurry crowd. We are shown the main characters. We then hear an omniscient narrator questioning life and the ideals of destiny and fate. This again highlights the key motifs and sets up expectations for issues that may be tackled l

Through the narrative it becomes clear that Lola’s will has enabled her to change the circumstances around her and towards the end of the film we become hopeful that she will save Manni. Lola wants to get the outcome she wants, which will make all concerned happy. The scenes leading up to the end of the film manage to close each of the story codes. Manni gets the money back from the tramp, and the tramps destiny seems sealed when Manni gives him the gun, Lola misses her father at the bank, she walk into a casino and against all odds wins 100,000 Marks on Roulette.

It is here we are introduced to Lola our modern day heroine. She is the key character in the film and her actions pre-empt what is to follow. When we first see Lola we are first drawn to her bright red hair, which highlights her individuality, through the film it becomes clear that she is independent and strong willed and she gets what she wants. We can see she is from a dysfunctional family. The audience is allowed to hear about her father’s affair before Lola as she advances to the bank. Her mother is a drunk. Lola seems as though she can only rely upon herself and Manni is paramount in her life.

The camera spirals back down into a city and then into Lola’s house, where the camera stops on a red phone ringing and we see Lola pick it up and begin her conversation with Manni. The phone introduces the dominant colour in the film, which is red. This colour symbolises danger and urgency so adding to the viewer’s apprehension.

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