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Till Marriage Do Us Part

In Till Marriage Do Us Part, Luigi Comencini draws definite ties between sexual and political events. Eugenia, Raimondo, Pennacchini, the Baron Henry, and D’Annunzio are all figures who are drawn by the lure of political power as well as the power of human sexuality. The film, based on a meeting of two worlds that do not understand each other, lends itself to the constant contrast between Sicily and Paris and the aristocracy and the working class. In addition, colonialism and nationalism are two main facets of Italian culture that unify and influence the daily lives of the aristocracy and the common man. The political and social atmosphere of Italy in the mid-1900s allows for the close association between sex and politics.

The two cities where the film takes place, Paris and Sicily, represent two very different political structures. Sicily stands for the old world of a devout Christian society, whereas Paris is liberated and open-minded. While in the train on Raimondo and Eugenia‘s honeymoon, the French Baron Henry advises Eugenia to “have fun in Paris” because once she returns to Sicily, she will be tied down with children and live a life filled with unhappiness. The baron tells Eugenia to


but also through the division of the classes.

Throughout Till Marriage Do Us Part, Comencini directly links sex and politics. It seems that they are one in the same. With politics comes sex, and vice-versa. The end of the movie takes place in Eugenia’s room where she is startled by the presence of Pennacchini. She drapes herself in the Italian flag, telling Pennacchini not to disrespect the flag by making a move on her. As Pennacchini heads toward the door, the Italian flag that once covered Eugenia’s body, falls to the floor. When the flag, a symbol of patriotism and politics falls, the aristocrat is letting her guard down and enabling herself to stoop to a level of desire. The last scene of the film encompasses the political and sexual overtones that are prevalent throughout the whole movie. Sex is an integral part of life, as is politics. The two are seen as different ideals that come together in pursuit of the same human drive, the need for power, whether it be over one’s people or over one’s sexuality.

explore her sexuality while in a city where women are free to make their own decisions. For when she returns to Sicily, her way of life will already be set. The atmosphere of the countries differ in that one recognizes women’s liberation and the other is embedded in the ways of the older, more conservative ge

Some topics in this essay:
Eugenia Pennacchini, Marriage Comencini, Baron Henry, Sicily Paris, Furthermore D’Annunzio, Henry D’Annunzio, Paris Sicily, Similarly Eugenia’s, Luigi Comencini, sex politics, Raimondo Eugenia’s, eugenia pennacchini, one’s sexuality, till marriage, baron henry, sexuality film, sexual desire, politics seen, italian flag, naked woman,

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Approximate Word count = 901
Approximate Pages = 4 (250 words per page double spaced)


  

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