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African Sanctus

A critical essay about David Fanshawe´s

Fanshawes project ”African Sanctus” in his own words:

” African Sanctus is a universal work who’s impact is immediate, whose message is simple, the driving force is one of Praise and a firm belief in One Music - One God. It informs both listener and performer about African music and its relationship to Western polyphony”

Fanshawe’s project is to ”compose" a meeting between what he feels are two equal but different cultures. His intentions are pure and obviously nothing but good-hearted.

I think the most successful parts, according to the intention of the project is movement#2, ”Kyrie: Call to Prayer”. The Call is recited in Islam and the Choral Kyrie is sung in Latin, and this hybrid creates a strange but beautiful harmony between the two praises. One is to Allah, the other to the Christian God and, as written the program notes:

”This fusion emphasises the musical relationships that do exist between the Muslim and Christian faiths; an affirmation of belief in the one God.”

In movement#12 he repeats this composition:

”Although the composition is virtually the same as No. 2, the juxtaposition of tape to live is

Some topics in this essay:
Intellectual Property, II It's, African Sanctus, Sanctus Cultural, Fanshawe Maybe, Oh Oh, Indiana Jones, Christ Fanshave, Muslim Christian, Yes Fanshawes, african sanctus, ”african sanctus”, oh son, evil eye, son oh, oh son oh, lord mercy, ”african sanctus” own, god lord, tape recorder, fanshawes own, feels equal, meeting feels equal, god lord mercy, african sanctus project,

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Approximate Word count = 1880
Approximate Pages = 8 (250 words per page double spaced)

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