Art In Society
The 1940’s through the 1960’s were not only some of the most socially and politically volatile times in American History, but were the catalyst for the numerous changes in which occurred in American Popular culture during these and following years. Instead of experiencing the trauma which resulted after World War I’s end, post-World War II United States returned fairly easily back to everyday life. Although there were some problems converting from a wartime to a peacetime economy in the late 1940’s, Americans took on the task and entered the 1950’s on a very auspicious high note. During the time period after World War II, the United States experienced many changes. Technology was abundant and the rate at which new inventions, industries and technologies came about was at a rate never seen before. From a television in every home to the first computers and ultimately space flight, these two decades after World War II were crowded with advancements. Some of the most dramatic changes came in the field of art. What was once a single, slow road of popular culture advancement branched off into thousands of smaller, faster changing roads. Some of these “roads”, which can be seen as changing styles, or movements, in art, whip
because it was new and unfamiliar. A third name was Common Object Art, the closest suggestion to the later name of Pop art, and was used because this new art contained mainly commonplace, everyday objects, people, and places—objects from Popular culture. Eventually the name “Pop art” came along and stuck, it being perfect for this new wonder. The major pop artists of the 1950’s, such as Jasper Johns and Robert Rauchenberg, took their images from everyday life. Johns painted the American flag and map as well as words, numbers and letters. Rauchenberg’s pieces contained reproductions of familiar people, places and objects, and created “combine-paintings” from paint, silk-screens, prints, three dimensional sculpture, and collaged paper. Their paintings were still somewhat abstract expressionist and stayed away from politics. From about 1955 until 1960, Jasper Johns and Robert Rauchenberg shared a studio and were the first and best audience for each other’s art. While their art is different, upon looking back at it, both Johns’ and Rauchenberg’s art had “a kind of proto-Pop art eminence” . Rauchenberg deals, then, with a profusion of objects and events that he can accept with in a capacious aesthetic. Johns on the contrary, does not take an optimistic pleasure in the connectivity that random events generate…If Rauchenberg is the type of artist as radar operator, Johns is the artist as textual scholar, appraising unreliable symbols . Both Johns and Rauchenberg were harbingers of the new art movement to come. As early Pop artists, they introduced the world to a new style of art, playing off abstract expressionism and looking towards the future. ped Americans through a roller coaster of change in what they saw around them. The End of World War II: The major art movement taking place in the United States directly after World War II was abstract expressionism. The abstract expressionist movement “devoted itself to the principles that art is most expressive when a relationship is established between the artist and the spectator” . For the most part, abstract expressionism attracted the American public with its simple methods and spontaneous appearance and more so because it was an entirely American art movement. With most of Europe at war and in recovery during the 1940’s, Americans were left with the principal responsibility of developing art. Abstract expressionism was, therefore, the first movement to originate in the United States. During the early1960’s, art began to seep more and more into popular culture and expand into itself become a medium of vast difference. The 1960’s were the most dynamic of the decades. Popular culture has its own art movement at this point and there were more and more new artists joining its ranks everyday. Not only was Pop art appearing more frequently as a new art movement, but other movements were being seen more often such as Minimalism, Optical Art, Post-Pop and Photo-Realism, as well as Conceptual Art. Pop Art Most noticed during the early to mid 1960’s was the Pop Art movement. These times can be summed up as times during which the entire country was “experiencing a new cultural awakening mobilized by President John F. Kennedy’s proclamation of a ‘New Frontier’” . The American Pop Art movement was centered in New York City during this time period. “New York Pop included an enriching tale of humor combined with culture” much unlike American Pop Art’s cousin British Pop Art, whose purpose was solely to undo the work of the abstract expressionists. The New York Pop artists also “represented the fulfillment of the American idea of mass-production” These new artists embarked on a style that did not limit them, but rather allowed them to explore the freest forms of their creative minds. Their styles, if one can be defined, all employed different elements, devices and meanings. They offered new artwork that was closely associated with the cul
Some topics in this essay:
Andy Warhol,
Pop Art,
War II,
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Vietnam War,
York Pop,
Cold War,
Duchamp Duchamp’s,
Frank Stella,
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Approximate Word count = 3470
Approximate Pages = 14 (250 words per page double spaced)
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