Aunt Julia And The Scripwriter
Pablo Enrique Manuel Hernandez was on his way to the biggest game of his life. He was once the most famous and best basketball player around. But then the tragedy happened. Today, he was a man who had reached the prime of his life, his fifties, and in his person-broad forehead, aquiline nose, a penetrating gaze, and the very sole of rectitude and goodness. However today Pablo was not going to play in the game today, but to coach it. The narrators of this novel are Mario Vargas Llosa, Marito, and Pedro Camacho. Each one of these narrators is there for a different purpose. Pedro serves the purpose of writing magical realism and adding comedy to the work. And since this work is semi-autobiographical Mario Vargas Llosa is in a way talking through Marito. Marito brings a sense of reality to the s
Pedro Camacho is presented in the beginning of the book as a short odd-looking man. He is very intimidating and also assumed to be very intelligent. For the most part in the novel nobody questions anything he does. At the end of the book, his appearance changes as well as the way people treat him. His new boss was ordering him around and yelling at him, something his old bosses the Genaros would never dream to do.
Some topics in this essay:
Pedro Camacho,
Sgt Lituma,
Latin American,
Manuel Hernandez,
,
Aunt Julia’s,
Marito Marito,
Vargas Llosa,
mario vargas,
minor character,
throughout chapters,
throughout novel,
vargas llosa,
pedro camacho,
magical realism,
doesn’t happen,
mario vargas llosa,
Mario Vargas,
llosa describes,
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Approximate Word count = 605
Approximate Pages = 2 (250 words per page double spaced)
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