The film Battleship Potemkin uses a rapid succession of images in the form of montage to successfully convey a connection between political motive and aesthetic images. Within the film lie several political motives, all of which must be conveyed to the audience by combining several dramatic camera shots due to the fact the film has no formal dialogue between the actors. This montage is specifically crafted to draw the viewer into the film and leave them with heightened emotions about the pol

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