Bebop
The Philosophical and Sociological Developments for Bebop During the 1940's When discussing the history of Jazz, an important type of music is developed that changed the music industry. This music, bebop, helped to influence other types of music, and it also let us appreciate jazz more As is so often the case in jazz, when a style or way of playing becomes too commercialized, the evolution turned in the opposite direction. A group of musicians, who had something new to say, something definitely new, found each other reacting against the general Swing fashion. This new music developed, at first in spurts, originally in Kansas City and then most of all in musician's hangouts in Harlem, particularly at Minton's Playhouse, and once again at the beginning of a decade. Contrary to what has been claimed, this new music did not develop when a group of musicians banded together to create something new, because the old could no longer work. The old style worked very well. It also is not true that the new jazz style was developed as an effort on behalf of an interconnected group of musicians. The new style formed in the minds and on the instruments of very different musicians in many different places, independent of each other. But Min
Some topics in this essay:
Dizzy Gillespie's, Thelonious Monk, Sextet York, Chasin Bird, Bebop Bebop, Charlie Parker, Roll Morton's, Federation Musicians, Developments Bebop, Minton's Playhouse, jazz musicians, bebop musicians, modern jazz, charlie parker, dizzy gillespie, history jazz, jazz style, charlie christian, flatted fifth, period history jazz, orleans jazz, musicians jazz musicians,
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Approximate Word count = 1930
Approximate Pages = 8 (250 words per page double spaced)
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