China
From the earliest awakenings of Chinese civilization, the Chinese have sought out what they believe to be spiritual perfection. This numinous sense of flawlessness existed within the people themselves, in nature, and between the two as well. Art has always been a common means for the Chinese to achieve such inner tranquility and peace. In their art, they stressed the dignified qualities of serenity, grace, and balance. They avoided confusion, conflict, and all violent emotions no matter what the price. Unsettling or revolutionary forms of experimental art were not welcome even to this day. On the other hand, expressing nobility and inner-worth was considered a necessity. It has been rightfully stated that Chinese art is not just a hobby. It is ultimately “a way of being” . To appreciate the significance of art fully, we must keep in mind a commandment of Confucius: “Raise yourself to the beautiful.” The Ch’ing period, also referred to as the “Manchu” period was an extremely active one for the arts. It was an age of research, preservation of ancient texts, and the collecting of bronzes and paintings. There was no great change in the manner of painting after the fall of the Ming. A variety of styles for p
Another type of porcelain popular during the Ch’ing period was known as Blanc de Chine , or “white of china”. This was greatly favorable to foreign collectors. The fine white porcelain was first made in the late Ming period, and its production went on into the twentieth century. This type of white porcelain was often used to portray a spiritual or religious Icon. ainters to follow already existed. Many painters varied their own personal style by combining those styles which preceded them. However, the most renowned Ch’ing painters relied on their own ingenuity to create styles that even the weight of tradition could not suffocate.
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Approximate Word count = 928
Approximate Pages = 4 (250 words per page double spaced)
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