Prior to Act 3, Scene 1, Hamlet’s character is gradually developed primarily through the use of soliloquies. Readers watch Hamlet shed the vulnerable devastation he expresses in 1.2, take on a vengeful stance in 1.5, construct a methodological system in 2.2, and develop into a philosophical, unyielding character in 3.1.

In Act 1, Scene 2, Hamlet is reacting to his mothers’ hasty marriage to his uncle, Claudius. Hamlet is devastated that she could remarry after being widowed

An interesting relationship is present between Ophelia and Hamlet. In previous sections of the play, Polonius directs Ophelia to break off any relationship with Hamlet because of his high stature. “Lord Hamlet is a Prince, out of thy star (Signet, 2.2, Line 141, page 44).” However, Gertrude speaks as if she wishes Ophelia and Hamlet were together. “… so shall I hope your (Ophelia) virtues will bring him to his wonted way again, to both your honors (Signet, 3.1, Line 40, page 62).” Regardless of any love Hamlet might feel for Ophelia, he casts his emotions aside and continues to appear in his “antic disposition.”

The soliloquy of 3.1 begins with the famous “To be or not to be: That is the question…” line spoken by Hamlet. Readers are beginning to see a philosophical side of Hamlet as he battles within himself regarding life issues. This soliloquy is different from the previous three because it allows readers to see Hamlet as a reasonable man. He is mentally establishing himself. This is quite different than the “emotional Hamlet” seen in 1.2, or the “vengeful Hamlet” seen in 1.5. This time, Hamlet is weighing conse

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