Kabuki
While reading the short story “Flower-Eating Crone” by Enchi Fumiko, the one obstacle that I had with the text dealt with the Kabuki theatre. I kept wondering what the Kabuki theatre was all about, since it was mentioned throughout the story. I have very little experience with Japanese culture, so I thought it would be a good idea to see what exactly the Kabuki theatre entails. I feel this topic is significant because it seems like Kabuki theatre plays a major role in the Japanese culture. I feel the following information would only enhance a reader’s understanding of this story if they actually knew a little background on the aesthetics of the Kabuki theatre. I’m going to give a brief explanation about certain key aspects of the Kabuki theatre and these aspects are the background, repertoire, the aesthetic elements, the stage, and finally the actors. Kabuki theatre is one of Japan’s traditional theatrical art programs. The Kabuki theatre started around the 16th century in the period known as the Edo Era century. This was the period in which Kabuki developed the most. The merchant class was the class that did most of the groundwork for the Kabuki theatre. To the commoners Kabuki theatre was a way to express t
Kabuki theatre has a huge repertoire of around 300 plays. This number is still growing in numbers today. One group of plays are called shosa-goto, which means dance-drama. These plays are done entirely with dance and instrumental music. Some notable shoos-goto plays are Kanjincho (The Temple Offering List) and Takatsuki (The Clog Dance). The other two types of Kabuki plays are either jidai-mono (historical drama) or sewa-mono (domestic drama). The main aesthetic elements of Kabuki plays are the formalized acting, color scheme, and acoustic elements. Acting is considered the most crucial aspect of these Japanese plays. Each actor studies every aspect of the role in order to ensure perfection. One technique of kabuki is mie. This art form is shown when the actor pauses in their scene and then assumes a stare and proceeds to cross his eyes. By doing this it emphasizes the statuesque beauty of these characters. Another element is the color scheme. Color scheme includes the costumes, stages, and make-up used in each play. Kabuki plays are known for there pictorial beauty. Acoustic elements play an integral part in Kabuki plays. The most popular music used in Kabuki plays are shamisen music. Music is considered to be plays a very dominant role in these sorts of plays. The most accepted categories of music used today in Kabuki theatre are nagauta, toki
Some topics in this essay:
Clog Dance,
Enchi Fumiko,
Japanese Kabuki,
Edo Era,
Crone” Kabuki,
Calendar…” Fumiko,
kabuki theatre,
,
kabuki plays,
color scheme,
japanese culture,
kabuki theatre japanese,
acoustic elements,
kabuki play,
theatre japanese,
music kabuki,
“flower-eating crone”,
kabuki actor,
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Approximate Word count = 927
Approximate Pages = 4 (250 words per page double spaced)
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