ng performance tradition which is not dependent on the present early music movement. Now we are seeing an increasingly large number of performances of Mozart, Beethoven, and others in the content of early music; this further muddies the waters. There is the question of pre-Medieval music. While early musicians would undoubtedly be happy to claim it as their own, unfortunately there is very little surviving evidence about music from earlier times. Indeed, there are no music manuscripts from Western Europe at all. However, that doesn’t stop some people from trying to recreate what might have been heard. Since music has also been a performance tradition, classical concerts represent divergences from that tradition, based upon a new look at the original context of a composition. New composers sometimes talk about capturing the “original intentions” of an early composer. Although like any essentially psychological object, these intentions can never be thoroughly concrete. As such, that decision rests largely with the artistic intuition of the modern performer, and should be judged on their own musical merits. Occurring mainly because society today likes the different sound. In the case of pre-Baroque music, there are really little choices but to attempt to recreate the sound world of the era, in order to even approach the surviving compositions. Of course, that’s what many “early music” performers are doing, and they are consequently reviving a vast body of superlative music, which had previously been effectively last to us. This is, probably, the core of “early music.” Music today has been influenced much by early music. From a broader perspective, it is also a thoroughly modern idea that the “composer’s intentions” should matter more than what a performer chooses to do with the music in front of the composer. In fact, it has been somewhat facetiously suggested that such an approach is not the composer’s intention at all. Music is played very different, because people interpret things differently, which is why music has changed so much over time. Early music was the start of a great change in sounds. In the beginning, with early music we can tell that the ideas were mainly from the composer. Over time, people realized that they can interpret music in many different ways also. This was the first movement into new music, and I believe that early music will be played for well past my lifetime. “We live in a time of great changes, a time of transformation between major eras. Looking into the unsettling, the unfamiliar, the senselessness of a world taking a dramatic turn towards the unknown, people get lost and confused. Their fear, their need for survival even, urges them to look inside for something big, something dramatic, something inspiring, something that gives them courage to face the unknown and the strength to shape it.” (Ewen, David, pg.40) Along with a great change, there was Jazz. The start of the first real American music. With the culture change from Early, classical music. Many things changed during this time, but mainly was do to the changing in culture that influenced jazz. Some of the most accomplished musicians of our time have devoted themselves to a lifelong study of Jazz or classical music, and few exceptional musicians have actually mastered both. A comparison of classical Jazz music will yield some interesting results and could also lead to an appreciation of the abilities needed to perform or compose there kinds of music. The music called classical, found in stores and performed regularly by symphonies around the world, spans a length of time from 1600 up to the present. This time frame includes the Renaissance, Baroque, Classical, Romantic and contemporary periods. The classical period of music actually spans a time from of 1750 to 1800; thus, the term Classical is a misnomer and could more correctly be changed to Early Music or European Art Music. European because most of the major

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Dixieland Orleans, Western Europe, Music Classical, Christy Max, Marsalis Branford, Mozart Beethoven, Ewen David, JS Bach, Hindu Buddhist, Penny Lane, classical music, jazz music, music classical, music played, mozart beethoven, swing era, influence beatles, performance tradition, music classical music, music beatles, art music, classical music jazz, classical music composer, strongly influenced american, jazz classical music,