contains no preconceived thesis, because ideas are born in the film from the

subject.” This was said by one of the founding fathers of the cinematic

Neorealistic movement, Roberto Rossellini. Neorealism was a movement

developed in Italy after the fall of Mussolini and the Second World War.

Well-known producers Rossellini, Vittorio De Sica and Luchino Visconti

contributed great Neorealistic masterpieces to the Italian culture. Its unique

characteristics and filming techniques made an everlasting, worldwide

Italians first made their mark in cinema history with Filloteo Albertini’s

patent of the Kinetograph in 1895. With the start of silent films, Italy was able to

dominate international cinema. These films were the few first to have complex

plots and use very classical topics. In 1919, the ban of foreign films to come into

Italy forced local production to bloom. In 1937, Mussolini and the Fascist

government built Cinecitta`, Italy’s very own version of Hollywood. The Centro

Sperimentale di Cinematografia, Experimental Centre of Cinematography, was

also established. These institutions are to s

Some topics in this essay:
Visconti Rossellini, II American, De Sica, Rossellini Visconti, Neorealism Neorealism, Italian Neorealism, Filloteo Albertini’s, Political Engagement”http//librarythinkquestorg/28490/data/inglese/f_temahtm, Luchino Visconti, Roberto Rossellini, de sica, non-professional actors, neorealistic films, vittorio de sica, vittorio de, director vittorio de, roberto rossellini, luchino visconti, neorealistic movement, italian neorealism, location shooting, de sica visconti, film history,