Aratus Of Soli
Of the various celebrated poets in Ancient Greece, Hesiod and Homer are two which stand out above all others for the magnitude of their world-wide popularity and the extent of their influence on future poets. While the fantastic epics of Homer’s The Iliad and The Odyssey have garnered far more acclaim and prestige than the works of his counterpart, it was Hesiod who largely prescribed the cosmologies of the Greeks during the 8th Century, B.C. In particular, Hesiod’s chief texts, Theogony and Works and Days, had profound effects on the styles and content of future Greek cosmological poetry. This influence is plainly evidenced in Aratus of Soli’s principal text, Phaenomena (written around the 3rd Century B.C.). Similarities are manifest in both the lyricism of the writings of Aratus and Hesiod, and in their discussions concerning the physical movement of celestial bodies. However, in Phaenomena, Aratus deviates from the overall objective of Hesiod’s texts, and concentrates almost entirely on celestial motions and expounds on the astrological features of Ancient Greek and Latin cosmologies. In the following essay, I will discuss various parallels between the texts of H
As can be seen, Hesiod’s Theogony and Works and Days, and Aratus of Soli’s Phaenomena share several themes central to Greek cosmology. Both authors relate divine legends and discuss the movement of celestial bodies. Phaenomena seems to pick up on the almanac-like qualities of Works and Days and the cataloguing of names in Theogony. However, while Aratus’ text is a catalogue of constellations and stellar movements, Theogony is a sort of divine inventory which details the genealogy of the gods. In this way, Phaenomena picks up on several themes present within the texts of Hesiod, but at the same time shifts the focus of Greek cosmology from a theological to a more astronomical center. This change in concentration seems to be representative of a progression in thought in Ancient Greece. Instead of placing divinities in the human, earthly realm and relying on their interaction with mankind, the gods remain in the heavens, separate from human affairs, save the occasional celestial omen. Aratus of Soli’s edition of Phaenomena begins with a short introduction in which he first praises Zeus, and then promptly invokes the Muses as he begins his celestial dissertation . This is reminiscent of Hesiod’s introductions to both Theogony and Works and Days. First Hesiod calls upon the inspiration of the “Muses of Helicon”, and continues on to exalt Zeus as the father of all gods . In Ancient Greece, the Muses were goddesses which inspired poets to accurately sing of the immortals; they aided the memorization and recollection of ancient stories . With these invocations, the authors attempt to imbue their works with a higher degree of authenticity; rather than simply take their word for the veracity of their stories, readers can look to the accuracy of divine recollection to back up these legends. The themes within Hesiod’s Theogony and Works and Days are significantly divergent between themselves. Theogony is largely a genealogical catalogue of Greek gods (some 300 names in all) with some random and somewhat limited stories relating the origins of personalities and relationships among the immortals. The text of Works and Days is more reminiscent of an old farmer’s almanac. It describes the celestial bodies, advises the reader on the best times to sail and sow the fields, and provides moral guidance. Aratus’ Phaenomena is a sort of combination of Hesiod’s two works. In it, Aratus recognizes a number of gods through their places in the constellations, verbosely describes the motions of the stars and planets, relates theological stories, and explains weather patterns and celestial occurrences as divine signs and ominous warnings. In short, Phaenomena is an amalgamation of parts of the two major works by Hesiod. esiod and Aratus of Soli, and examine how Aratus’ Phaenomena digresses from and surpasses the
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Approximate Word count = 1921
Approximate Pages = 8 (250 words per page double spaced)
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