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History Of Symphonies

The evolution of the classical symphony began in the late 17th century. The symphony was thought to have been one of the greatest contributions in the classical period. According to Roger Kaimen’s, Music An Appreciation, “ A symphony is an extended, ambitious composition typically lasting between 20 to 45 minutes, exploiting the expanded range of tone color and dynamics of the classical orchestra” (Kaimen 215). Typically, a symphony consists of four movements; a fast movement, slow movement, dance-related movement, and fast movement again. Also symphonies may contain a theme and variation-a musical idea repeated over and over- and a countermelody. Many great composers of symphonies include Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, and Franz Schubert. Such elegance and grace has been constructed throughout time to create wondrous extended works for orchestras.

The four movements contained in a symphony “ evoke a wide range of emotions through contrasts of tempo and mood” (Kaimen 215). The first movemen


Joseph Haydn, who composed over once hundred and four symphonies, was one of the greatest contributors to the musical society. He was born in 1732 and later died in 1809. Haydn began playing music as a skilled servant. His benefactor requested him to conduct an orchestra, coach singers, and look after the instruments. Haydn was an innovator in the development of the symphony and string quartet. According to Kaimen, “Haydn’s enormous output revolves around his one hundred and four symphonies, which span over forty-five years, from about 1758 to 1795” (Kaimen 222). Haydn also had a sort of comical style. One of his greatest musical jokes was in the second movement of the Surprise Symphony, where a soft theme is suddenly ended with a loud chord (Kaime 222). His symphonies and some string quartets are sought as his greatest works. Symphony Number 94 in G Minor, also known as Surprise, was his most famous symphony. Everyone loved his new piece and thought of it to have been extraordinary.

t is always a fast and dramatic one. In the second “slow” movement, song-

Some topics in this essay:
Franz Schubert, Music Appreciation, Joseph Haydn, According Kaimen, Alessandro Scarlatti, Surprise Symphony, Van Beethoven, Johann Stamitz, Sixth Edition, Classical Symphony, joseph haydn, wolfgang amadeus mozart, joseph haydn wolfgang, haydn wolfgang amadeus, haydn wolfgang, fast movement, movement form, amadeus mozart, kaimen 215, hundred symphonies, late 17th century, van beethoven, ludwig van, wolfgang amadeus, ludwig van beethoven,

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