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Oscar Howe Contemporary Native American Art

Oscar Howe is arguably one of the most influential Native American artists to come out of South Dakota. His works have been published around the world, and he has had exhibits around the country and throughout Europe. All of this and more before he even graduated from High School. He then went on to create some of the most contemporary and even cubistic art of his era. And yet, while he was forging ahead to newfound artistic territories he still kept many traditional values and symbols in his works. He has done so much for the community in and around South Dakota it is amazing that he is not better known throughout the art community. All of this I will discuss later, but first, here is how it all started.

Oscar Howe was born on May 13th, 1915 to George Howe and Ella Not Afraid of Bear on a small Indian reservation in South Dakota. He was born into poverty and was frequented quite often by illness and frustration. He attended The Pierre Indian School, which was extremely strict with its students. The students were forced to wear uniforms and any misconduct was dealt with quickly and severely. One of the first rules that were told to the student is that they were forbidden to spea


During World War II Oscar Howe spent three and a half years touring around North Africa, Italy and Germany. He obtained the rank of corporal and while in Germany met his soon to be wife Miss Heidi Hampel. After the war he financed her trip to America with his first national award. Soon after in an attempt to make some money Oscar Howe entered his tempera picture “Dakota Duck Hunt” in the second annual National Indian Painting Exhibition at Philbrook Art Center, Tulsa Oklahoma.

When looking at the descriptions of how Oscar Howe decorated the outside of the Corn Palace in Mitchell, South Dakota the theory of representation rings through. It is written that he decorated the walls with murals of “Plains Indian life and farming and ranching” (Huseboe 219) these images are imitations of their real life counterparts according to Aristotle’s theory. I feel that this holds true for the murals. There is no real emotion being brought out by the different corns and grains that are arranged to look like pictures. They are mere imitations.

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Approximate Word count = 1918
Approximate Pages = 8 (250 words per page double spaced)


  

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