Sandro Botticelli: The Renaissance Artist
Sandro Botticelli, born Alessandro Mariano Filipepi, was the son of a tanner. He was born in Florence around 1445 and showed a talent for painting at a very early age. Botticelli was first apprenticed under a goldsmith named Sandro, from whom it is believed he derived his nickname. At the age of sixteen, he served an apprenticeship with the painter Fra Filippo Lippi (Durant, 1953). From Lippi he learned to create the effect of transparency, to draw outlines, and to give his pictures fluidity and harmony. He also worked with painter and engraver Antonio del Pollaiuolo, from whom he gained his sense of line. By 1470, Botticelli had his own workshop and had developed a highly personal style characterized by elegant execution, a sense of melancholy, and a strong emphasis on line. Botticelli spent most of his life working for the great families of Florence, including the Medici family. Botticelli’s name appears regularly in the account books of members of the Medici family, for whom he painted banners, portraits, and altarpieces along with paintings of allegorical or mythological subject matter. Likenesses of the Medici family are found in various paintings including “Judith,” “Madonna of the Magnificat,” and “Adoration
In the 1490s, Botticelli experienced a religious crisis. Around the year 1498, Florence was troubled by the violent words of Fra Girolamo Savonarola, who spoke against anything that was not, in his view, necessary to the life of man. The population was in great turmoil, divided between his followers and the angry ones, until he was eventually burnt at the stake in the Piazza della Signoria. These events affected Botticelli deeply, and his works of the time showed a dramatic force, not previously present. They developed a more careful characterization of the faces, which became more serious and concentrated. His subsequent works reflected an intense religious devotion. Botticelli’s allegorical paintings, including “Primavera” and “The Birth of Venus,” are his most successful and best-known works. These paintings are largely undocumented but can be dated in the late 1470s. Their exact meaning, as well as the circumstances surrounding their commissioning, is still uncertain. Precise identification of the figures is frustrated by the fact that Botticelli’s female types rarely change. This observation has lead critics to believe that the allegories were partially intended as exemplars. Botticelli’s previous standing among the leading artists of his day ensured that even though the new generation of artists, such as Leonardo, Raphael, and Michelangelo, received the most important commissions, Botticelli’s opinion wa
Some topics in this essay:
Girolamo Savonarola,
Testaments Botticelli,
Lippi Durant,
Birth Venus”,
Italy Botticelli’s,
Raphael Michelangelo,
Mariano Filipepi,
Apart Medici,
Virgin Child,
Likenesses Medici,
medici family,
magill 1989,
received commissions,
family botticelli,
sandro botticelli,
paintings including,
Join now to see the rest of the essay!
Approximate Word count = 970
Approximate Pages = 4 (250 words per page double spaced)
More Essays on Sandro Botticelli: The Renaissance Artist Professional Papers: |
CUSTOMER SERVICES
|
|
Saved Papers
You haven't saved any papers.
|