Tennesse Williams
“Tennesse Williams saw himself as a shy, sensitive and gifted man trapped in a world where mendacity replaced communication, brute violence replaced love, and loneliness.” (Ryan 3176) This one statement explains most of Williams’s life. He grew up and went to school in the South. While growing up, he had a disfunctional family. The time frame in which he grew also had an extreme effect upon his writing. Tennesse Williams used his many observations of the South’s emergence from naiveté and the daily life of the people’s struggle to stay live in body and spirit to display the cruelty of his time and place. Williams’s Southern influences are clear when reading his work. For example, his characters from A Streetcar Named Desire, Blanche and Mitch both have a tenacious Southern persuasion. Both are refined, genteel, softhearted, and cultured. In addition, the wild Cecilians of The RoseTattoo, show some the South’s ideal that Mediterranean people have more fun (Unger 380). Unger further thinks that the fun-loving Mexicans in The Iguana demonstrate that if foreigners ever cease to be foreigners; they will still be outsiders (381). This is a Southern view and was important to Williams’s writing sty
Another of the integral parts of Williams writing was his compelling view on sanity. This is due to his sister getting a frontal lobotomy (Hippograph Page). He spent much of his life taking care of her; therefore he had some time to observe the human condition. As in Babydoll, both Williams’s sister and the main character appear “…to be feebleminded at first. But by the end of the story, Archie is plainly mad” (Unger 384). The Iguana is another skillful representation of how deranged people affect most of Williams’s writing. Hannah, although she tries soothing him, must restrain Shannon. While doing so, She hints at darkness in her soul that can consume her at any time (Unger 384). At this time most people looked down upon any mental handicap therefore, Williams mentioned it in almost every one of his plays. . Williams didn’t want to put emphasis on the wrong circumstance in his era, he believed that “…as the world looks today-blanketed with poison gas of hate and dread with the slain of Nagasaki, Hiroshima, and Hitler\'s death camps the people see it as our times greatest historic expression” (Fritcher). He also believed that the simple working man was as important, if not more so, than a war hero (Austill 120). Williams illustrates this in Streetcar by making the lead man, Staley, the average working man, simple, straightforward, and common (Hippograph Web Page). While on the other hand, Mitch, a recent war returnee, is an unmarried, mamma’s boy (Fritcher Web Page). All in all, Williams displays a wide var
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Approximate Word count = 1039
Approximate Pages = 4 (250 words per page double spaced)
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