A radical of the 1790s in style and thought, as an “establishment” poet laureate, as the “Daddy Wordsworth” admired by the Victorians, as the “simple” Anglican poet of nature, as the “problematic” poet of “consciousness,” and recently, as a “Nobodaddy” who was too conservative in the Age of Revolution, the poet’s reputation as one of the great masters of English poetry continues (Critical Essays 1).

He will always remain as one of those poets whose name will define an age.

Everybody is aware that Wordsworth is a “nature poet”. Wordsworth lived by the mountains and lakes of Cumberland where he meditated and wrote, away from society (Critical Essays 179). Many of Wordsworth’s poems foreshadow the late twentieth century conservation efforts. Wordsworth being against the progress of agriculture and industrialism writes about keeping seemingly useless territory as a sanctuary (Critical Essays 180).

Wordsworth’s The Prelude is an autobiographical introduction to The Recluse it is Wordsworth’s theodicy. Which was, “the ultimate goodness governing the course of his life is brought into question by his suffering and crisis of spirit, then is established by the outcome of his experience, which is represented as prototypical for the men to whom he addresses himself,” (Critical Essays 127). Wordsworth felt that life was only worth living if there was some sort of meaning to it, also with the existence of physical and moral evils.

three major works, Lyrical Ballads, the Intimations ode, and The Prelude. His Lyrical Ballads Wordsworth uses questions and responses to show different situations from a variety of different angles. “The barely expressed questions that force the burden of this mystery onto the occasion are, perhaps, the primary “cause” behind this urgent and strenuous composition of belief” (Critical Essays 48). His Lyrical Ballads showed his strength in his use of diction (Abercrombie 54). Wordsworth’s Intimations odes seem to be very uncharacteristic of him. From the Intimations ode Wordsworthian poetics come to the conclusion that, “poetic space is what we half perceive and half create on the basis of an adhoc symbiosis of mind with nature,” (Critical Essays 56). Then we have The Prelude, which is an introduction to what should have been his greatest work The Recluse. The Prelude a kind of “self-examination” in which Wordsworth obtained his

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