A Semiotic Analysis Of A Print Advertisement

A logical place to start may be to ask ‘What is semiotics?’ Semiotics is the scientific study of signs and the way in which these signs construct and reconstruct meaning. A sign can be simultaneously iconic, indexical and symbolic. When a sign is iconic it is a very good representation of the signified meaning, for example, a photo or a painting. If there is some relationship between the meaning and what is being signified, it is known as an index (indexical), for example, smoke is an index of fire. A symbol is where there is no relationship between sign and meaning, (written language is symbolic).

Saussure composes a sign into two elements, a ‘signifier’ and the ‘signified’. The signifier is the image that we see, for example a painting. The signified is the mental concept, which is conjured up in the mind of the receiver when they engage with the signifier (the painting).

“A rose is a symbol of love or passion not because a rose looks like love or passion or even because the flower causes it. It is just that members of some cultures have over the years used the rose in certain circumstances to mean love.”

The first order of signification ‘denotative’ is a process of recognition, description and identification. Connotation looks further into how we perceive things at a higher level, letting us go beyond the denotations by analysing and interpreting and adding fact to the meaning

Within this essay, I shall undertake a semiotic analysis of an advertisement. But before I focus on this analysis, I will concentrate on semiotic elements, denotation/connotation and anchoring.

Some topics in this essay:
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