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Rob Flemming and Female Stereotypes in High Fidelity

Contemporary English literature has produced a plethora of novels dealing with the everyday lives of people within the context of their place of origin and their unique culture. The United Kingdom is currently seeing the rise of potential cult classics such as Trainspotting by Irvine Welsh, which followed the lives of heroine junkies in modern-day Edinburgh; and Bridget Jones’ Diary by Helen Fielding, a day-by-day account of the trials and tribulations of a single woman in cosmopolitan London.

Nick Hornby, a music and pop-culture critic, has been at the forefront of this genre with works like High Fidelity, Fever Pitch, About a Boy, and How to be Good. High Fidelity, his most celebrated work, is about a record shop owner from London in his thirties who is trying to cope with a recent break-up with his girlfriend. The novel, like Trainspotting and Bridget Jones’, is another potential cult classic. According to Penguin Puntam books, it is a number one best seller, and a critic’s favorite on both sides of the Atlantic.

(http://www.peguinpuntam.com/static/packages/us/nickhornby/author.htm).

A testament to this is the 2000 release of a movie adaptation of the novel starring John Cusack. Though no


A relationship can be cluttered with many corollary concerns. Indeed, money is one. The need for sexual fulfillment is another. Ultimately, however, love is the fundamental aspect of amorous relationships. The function of these relationships is to enable people to impart romantic love to one another. When a man starts to confuse this, and starts to believe that relationships are a means for self advancement, the function is defeated.

But regardless of whether readers despise him or sympathize with him, it is apparent that he is a well-developed character. Readers of High Fidelity must take into consideration the complexities of its protagonist. Moreover, it is advisable to look at how characters respond to their respective gender roles. In this manner, readers themselves may begin to understand the intricacies of their own individual relationships.

There’s nothing wrong with me loving you. And giving yourself to me could never be wrong if

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Approximate Word count = 2791
Approximate Pages = 11 (250 words per page double spaced)


  

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