nd then she married a man who was no more like [his] father/ Than [he] to Hercules (I, ii, 153-152). These extraordinary events cause him to launch into a state of melancholy and depression in which he desires that this too too solid flesh would melt (I, ii, 129). In this melancholy, Hamlet loses becomes disenchanted with life, and to him the world seems weary, stale, flat, and unprofitable (I, ii, 133). Later in the most famous of his soliloquy's, Hamlet contemplates committing suicide because he is troubled by the slings and arrows of outrageous fortune (III, i, 58). His disinterest for life, and his wishes for death are a definite indications of Hamlet's sickness. Hamlet's sickness is also shown through his strong relationship, bordering on obsession, with his mother. Throughout the play he constantly worries about her, and becomes angry when thinking of her relationship with Claudius. In his first soliloquy, Hamlet becomes enraged when he thinks about her incestuous sheet, and in frustration he makes the irrational generalization that, Frailty, thy name is woman! (I, ii, 146). In the closet scene, Hamlet treats his mother cruelly, and he accuses her of being involved in the plot to kill his father. Once again, he dwells on her enseam'd bed/ Stew'd in corruption (III, iv, 92-93). In his parting words to Gertrude, Hamlet instructs her to not let the bloat king tempt you again to his bed. (III, iv, 182). He is overly concerned with his mother's relationship with Claudius, and this is just a part of his complex sickness. Wilson Knight also claims that Hamlet is inhumane. This is clearly demonstrated through his relationship with the fair Ophelia. Hamlet originally professes his love for Ophelia during his visitations to her closet, and through the love letter which he writes to her. However, during the nunnery scene, when Ophelia tries to return Hamlet's gifts, he retorts I never gave you aught, (III, i, 97) and he goes on to tell her, I loved you not (III, i, 119). Later in this scene he tells Ophelia that she should go to a nunnery. He viciously insults the women whom he said he loved, and this greatly disturbs her. During The Mousetrap, Hamlet once again has no regard for Ophelia's feelings, and he mocks her by putting his head in her lap and bantering with her. Hamlet is also responsible for the death of Ophelia's father, Polonius. In the closet scene, Hamlet mistook her father for the king, and he fatally stabbed him. Gertrude called this a rash and bloody deed (III, iii, 27). He later shows that he has no remorse for this inhumane actions when he tells Claudius that Polonius is at supper…not where he eats, but where he is eaten (IV, ii, 18-20). Hamlet's harsh and cruel treatment of Ophelia and his murder of her father lead to the madness which eventually overtook her. She became distraught by Hamlet's rejection and the death of her father. This madness caused her to commit suicide by jumping from the bridge. Therefore, Hamlet can be held responsible for her death. If he hadn't treated her in such a cruel manner, her life would not have ended so soon. Hamlet also reveals an inhumane and cynical side at the grave scene. When Laertes proclaims his love for Ophelia and his sorrow for her death, Hamlet rushes from his concealment and jumps into the grave after Laertes. Hamlet insults Laertes when he states, Forty thousand brothers/ Could not, with all their quantity of love,/ Make up my sum (V, i, 234-236). He is so cynical that he doubts that Laertes is sincere, even though there is no proof that Laertes is not being perfectly honest. His concern for his sister was shown when he gives her brotherly advice before he goes away. At the funeral when the priest implies that Ophelia should be buried in ground unsanctified have log'd, (V, i, 239) Laertes protests, and he claims that Ophelia shall become a ministering angel (V, i, 251). Hamlet had no right to doubt Laertes and to challenge him at this time of great grief, but Haml

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