... , it possesses many qualities Aristotle deems necessary for a successful tragedy. Aristotle specifies in chapter 15 that in order for the antagonist to be a tragic hero, he must be good, have good qualities, be realistic, and be consistent (Aristotle 55). The main character, Alberto, does in fact fit these qualifications. Aristotle also states in chapter 13 that the plot must consist of a moment of peripeteia, a reversal of affairs ... not fulfill these requirements, it would be classified as having a simple plot. The main reason an audience member would argue that the film is in fact a ...

• Word Count: 732
• Approx Pages: 3

... became a guideline for later playwrights in Western civilization. In his definition of tragedy, he stated, it is "the imitation of an action that is serious and also, as having magnitude, complete in itself; in appropriate and pleasurable language;in a dramatic rather than narrative form; with incidents arousing pity and fear, wherewith to accomplish a catharsis of these emotions." In other words, a tragedy must be drastic and very serious; it ... should limit itself to one main issue to avoid confusion, and told with a rhythmic and harmonious language. The works must be dramatized and ...

• Word Count: 1098
• Approx Pages: 4
• Grade Level: Undergraduate

... art, weaving the effects of discord between brash humans and divine entities. Their plays unveil the cold reality of the vulnerability of humans, which shadows Aristotle's idea of tragedy. Aristotle believed that tragedy is a representation of terrible and piteous events arousing sorrow and fear. The conscious and unconscious actions of man are what precipitates events and future actions. Clytemnestra, Prometheus, ... and Oedipus Rex are all protagonists who evoke pity and fear due to their mixed natures, partly good and partly bad. The tragedy in a plot does not rise out of the charact...

• Word Count: 917
• Approx Pages: 4