... time do not reflect the evidence that we have about the women in classical Athens. The tragedies of Medea, Antigone, Electra, and even Agamemnon, show women are strong and free willed and are capable of doing things on their own. In Euripides" Medea, Medea is constantly talking about ... to produce sympathy from the audience, making the audience aware of her and other women's plights in that time. The character of Clytemnestra in Aeschylus" Agamemnon is very masculine and is shown posses some male traits. In these plays there is a sense of role reversal, showing the women to be ... commi...

• Word Count: 1759
• Approx Pages: 7
• Grade Level: High School

... power because of pride or some other personality flaw. Well-known characters in some of the greatest Greek tragedians' plays illustrate this idea. In Aeschylus's Agamemnon, the title character is a returning king who behaves arrogantly and thoughtlessly. He is murdered by his wife and his kingdom falls apart. ... shining future. The evolving theme of an individual's weakness and subsequent downfall supports the Greek's democratic system, where no individual becomes too powerful. Agamemnon is a great warrior, but not a great family man. On his way to the Trojan war, he sacrificed his dau...

• Word Count: 1999
• Approx Pages: 8
• Grade Level: High School

... Medea as the first notable precursor of the feminist perspective. A keen reader of the Greek Tragedy may argue that there are various other female characters that have acquired considerable limelight. Aeschylus' Clytemnestra , Sophocles' Antigone and Euripides' Hecabe and Andromache may be quoted as pertinent examples to substantiate this objection. A close study of all these characters would reveal that none of them ... stands up against her husband in the most ghastly manner. ( Ghastly' of course from the perspective of male chauvinists!) The fact that she launches an intense protest ...

• Word Count: 3814
• Approx Pages: 15
• Grade Level: High School