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... her of her place in the relationship. In fact, she mentioned in that her husband finds the room very nice and would not change it for him. "It is as airy and comfortable a room as any one need wish, and, of course I would not be so silly as to make him uncomfortable just for a whim." The control continues to dominate the ... ...
... way she was treated as a child was by keeping her in a former nursery in the house that John took her to. Describing the room, she says that "It is a big, airy room, the whole floor nearly, with windows that look all ways, and air and sunshine galore. It was nursery first and then playroom and gymnasium, I should judge; for the windows ... ...
... " with "large and shady, full of box-bordered paths, and lined with long grape-covered arbors with seats under them." The room where John assigns her to living is a "big, airy room, the whole floor nearly, with windows that look all ways, and air and sunshine galore." The room was once a children's nursery and therefore has bars on the windows for ... ...
... about the numerous paths, "mysterious deep-shaded arbors," and gnarly trees. But what later becomes an obsession is the "sickly," "unclean," yellow wallpaper that covers the walls of the big, airy upstairs room her husband has unilaterally chosen for them. He, however, assures her that it is all due to her "nervous weakness" that must be checked as it "is sure ... ...
... rooms down stairs were unexcitable because they only have one window and not enough room to fit two beds. The room he chooses for her was upstairs and was, "big, airy room, the whole floor nearly, with windows that look all ways, and air and sunshine galore. It was nursery first and then playroom and gymnasium, the windows barred for little ... ...
... good with the baby. Such a dear baby! And yet I cannot be with him, it makes me so nervous". The room that she is forced to stay in, "It is a big, airy room, the whole floor nearly, with window that look all ways, and air and sunshine galore". The woman loves the room and the view that it has, but is has ... ...
