... could of the ancient influences and knowledge (Munro 136). Before Donatello went to Rome, he carved the wooden Crucifix (Fig. 1-2) at Santa Croce, Florence. When this is compared to his marble The Prophet David (Fig. 3-4), there are several differences between the two. The Crucifix is an extremely religious figure and the only human interest involved in it is the suffering of ... and valor in arms, a proud and terrible energy and a marvelous sense of movement within the stone. Certainly in modern figures no such vivacity and spirit is to be seen in marble as nature and art effected thro...

• Word Count: 1992
• Approx Pages: 8
• Has Bibliography
• Grade Level: High School

... born in Florence, Italy. He started to paint at a young age. He mostly painted nature and people. It is not known when he started to sculpt, but he sculpted both marble and bronze. His lifetime in the arts was separated into three stages; his early Career, Panduan period, and the Late Florentine Period. He had many influences on his work such ... ...

• Word Count: 817
• Approx Pages: 3
• Grade Level: High School

... was yet another artist who sculpted David. His reputation as a sculptor was established when he carved his David at the age of twenty-seven, from a single piece of relatively unworkable marble. Unlike the David's of Donatello and Verrocchio, Michelangelo's David is not shown after conquering his enemy. Instead, he is portrayed as a "most beautiful animal preparing to kill-not by Fay ... ...

• Word Count: 890
• Approx Pages: 4
• Grade Level: High School