... reddish grey. Colours were no longer thought of as dark and light, or as warm and cool. What interested them was their relation to primary (yellow, blue) and complementary (green, orange, indigo, and violet) hues . This view of nature was emphasised by Monet, Pissaro and Renoir, although Delacroix had foretold Impressionism when he described the faces of two Moroccan boys as ... top of the other separately, Monet makes them react to one another so that they appear to shimmer and sparkle. There is a visual reference to perspective in the ochre and orange foreground, but essentially any s...

• Word Count: 1693
• Approx Pages: 7
• Grade Level: Undergraduate