1. Film Noir Styles in Martin Scorsese's Taxi Driver
... able to disorientate the viewer and, "adhere to the choreography of the city " according to Schrader (39). Scorsese uses his realistic set ¬tings to create expressionist ends. Vertical and diagonal lines are seen thoughout the landscape in Taxi Driver. They dwarf characters, isolate them, frame their perspective, and trap them. When Travis first meets Betsy in Palantine's campaign office, they ... table, corner to corner. Another example is when Travis drives around in his cab at night, and we see New York through his eyes, our vision is inevitably bordered by diagonal and vertical lin...
- Word Count: 1980
- Approx Pages: 8
- Has Bibliography
- Grade Level: Undergraduate