1. Italian Neorealism and the Free Cinema Movement
... bianco, (1952) he came out with his first masterpiece, which revealed his understanding of character atmosphere. I vitelloni (1953) Fellini shot this film in his hometown of Rimini to show the innocence of the seaside community he recalls identifying with. These shots in turn added semiautobiographical elements to the viewer and were available to notice. His next film La Strada (1954 ... ) drove Fellini into a direction of unorthodox neorealism. This told the simple story of simpleminded peasant girl who is sold to a circus strongman for a plate of pasta. Critics from the left attempted ...
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