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... 's adolescence. Furthermore, the reader is made aware that the mother's flashback is to the time when she's waiting to go into labour; "As I stood in a hot, white room" The imagery of "hot" and "white" creates an image of a hospital room, showing a negative atmosphere and how her labour was possibly difficult and uncomfortable. Clarke refers to the ... ...
... appearance, but rather she is portrayed in the way Dee wants her to look, "a hundred pounds lighter, my skin like an uncooked barley pancake as my hair glistens in the hot bright lights" (Walker 327). Momma clearly has some resentment and sadness regarding Dee because Dee is ashamed of Momma and her humble upbringings. Furthermore, Dee writes to Momma saying that ... ...
... 's companionship that gives Sula a comfort after hearing her mother's statement: "Nel's call floated up and into the window, pulling her [Sula] away from dark thoughts back into the bright, hot day" (Morrison 57). In their friendship bond, there is no leader and no follower, the two girls are completely equal and they complement one another. A friendship has different underlying ... ...
... 's fascination towards violence and murder. As mentioned in the short story, George Hadley discovers both his and Lydia's belongings in the nursery with mysterious struggle signs. "The smell of hot grass was on it and the smell of a lion. There were drops of saliva on it, it had been chewed, and there were blood smears on both sidesHe bent and ... ...
