... for something else. Though heir to a name that meant power, land and property, surely when Orlando was born, it wasn't privilege he sought, but company." From the outset, subjective camera techniques inscribe the viewer as complicitious company with a shared horizon of understanding so that eventually the audience has become so complicitous that words are superfluous - Orlando's knowing gaze in the audience ... 's direction suffices to punctuate key moments of the diegesis with shared irony. Thus Orlando's desire and future are always assured in Potter's film, and indeed will come to lit...

• Word Count: 1793
• Approx Pages: 7
• Grade Level: Undergraduate

... related to real life. In a situation where the reader does not have "direct access to a character´s [inner] thoughts and feelings (Edmondson 20), other than in traditional novels where the literary minds are transparent and the reader knows everything about them. How did Vriginia Woolf manage to do this? By the use of an omniscient third person narrator, who has access ... forms of a certain character. In this manner the novel´s characters´ minds, which are interpreted by other characters, and finally by the reader himself, are not transparent in contrast to conventional literary min...

• Word Count: 2383
• Approx Pages: 10
• Has Bibliography
• Grade Level: Undergraduate