1. Blue Velvet
... mind. As we follow Jeffrey's discovery of his dark side we are forced to "look" beyond the surface. Gendered and active spectatorship produce narrative identifications such as the male "gaze" within Blue Velvet. Mulvey believes "pleasure in looking has been split between active/male and passive/female." Thus ... the audience and the intra-diegetic look of the male characters. In popular cinema, point of view shots and shot/reverse shot editing techniques are used to achieve the effect of seeing the female characters as objects of desire through the eyes of the male characters. In Blue ...
- Word Count: 1947
- Approx Pages: 8
- Grade Level: Undergraduate