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... , such as in Lautrec's painting. Lautrec's "At the Moulin Rouge" might be remembered as an important painting in art history, perhaps, because of what it represents. The composition, with its oblique perspective, acid palette, bizarre artificial lighting, and mask-like faces, is a haunting image of the dissolute Bohemian life of turn-of-the-century Paris. His supposed interest in the interiors ... ...
... and symmetrical patterns. As the dominant style changed from Protogeometric to Geometric, this order and precision was amplified. The popular "circle and semicircle patterns were replaced by linear designs, zigzags, triangles, diamonds, and meanders" (Cunningham and Reich, 40). The increased interest in order seems to have been a reflection of the Greek fascination with nature, and man's relationship to nature. This interest ... ...
... and symmetrical patterns. As the dominant style changed from Protogeometric to Geometric, this order and precision was amplified. The popular "circle and semicircle patterns were replaced by linear designs, zigzags, triangles, diamonds, and meanders" (Cunningham and Reich, 40). The increased interest in order seems to have been a reflection of the Greek fascination with nature, and man's relationship to nature. This interest ... ...
... . ''Borromini combined powerful centralisation and pronounced symetry with an oblong plan." Observing the Borromini's preliminary drawings (Fig Plan) we can note that the church interior is organized upon two equilateral triangles sharing a common side with two circles inscribed within them. The two circles are combined to form an oval, describing the area of the dome. This oval dome is placed lengthwise ... ...
