1. Utopian/dystopian thinking in 60s fiction
... are almost always much more powerful than the rebels. Consequently, dystopian tales often become studies in survival. In Neuromancer (William Gibson, 1984) it is simply a question of staying alive; in Brave New World (Aldous Huxley, 1936) it is a question of staying human. In Nineteen Eighty-Four (George Orwell, 1949) it becomes a matter of preserving individuality in the face of thought control. The hero (there are ... intellectual detachment, and short on "real life" drama, but that does not necessarily have to be a bad thing. It is also an interesting contrast to the majority of dyst...
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- Approx Pages: 21
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- Grade Level: Undergraduate